interior design

Subterms

    Latest story

    125 Shares

    22 female interior designers redefining the Arab world in 2025

    by

    The Arab world’s design landscape is being transformed by an extraordinary generation of female creatives and interior designers who are redefining luxury, heritage, and innovation.
    These visionary women architects and interior designers are shaping the region’s aesthetic future through groundbreaking projects that span hospitality, residential, and cultural spaces, proving that the Middle East’s design industry is increasingly female-led.
    HRH Princess Alanoud Al Saud

    At her Riyadh studio A Interiors, the princess creates contemporary spaces that reinterpret Saudi heritage. Her designs skillfully combine traditional textiles and mashrabiya details with modern materiality in geometric forms. The princess’s Riyadh studio crafts contemporary spaces that reimagine Saudi heritage. Her portfolio features a minimalist villa showcasing exquisite stone and wood craftsmanship, and a desert farmhouse blending organic textures with traditional architectural elements.
    Shaikha Al Sulaiti

    As design lead for Doha Design District, she mentors emerging Qatari talent while maintaining her own practice. Elevated from luxury home designer to creative force at Doha Design District, she champions Qatari talent while maintaining her own innovative practice. Her Mondrian-inspired tables, debuted at Milan Design Week 2024, reinterpret traditional stained glass motifs, while upcoming rug designs draw from historic Qatari plasterwork.
    Aljoud Lootah

    The Emirati designer celebrates her studio’s tenth anniversary by merging traditional craftsmanship with minimalist aesthetics. Her Falaj Collection, inspired by ancient irrigation systems, debuted at Dubai Design Week, showcasing her signature approach to culturally rooted contemporary design.
    Aline Asmar d’Amman

    With strong ties to the fashion world through collaborations with Chanel and the late Karl Lagerfeld, this architect brings couture sensibility to interior spaces. Her current projects include the restoration of Venice’s Palazzo Donà Giovannelli for the Orient Express Hotel brand and a Haussmannian pied-à-terre in Paris.
    Nada Debs

    The Beirut-based designer preserves traditional craftsmanship through modern applications, from marquetry to weaving. Recent collaborations include decorative objects for Dior’s fragrance collection and multiple variations of her signature Swirl table design.
    Rania Hamed

    Through her Dubai and Montreal-based studio VSHD, the interior designer creates spaces that balance Japanese minimalism with Brutalist influences. Her Soub café in Dubai channels 1970s design elements while maintaining a Zen-like simplicity.
    Agata Kurzela

    The Polish-born, Dubai-based designer combines architectural training with engineering precision in her multidisciplinary practice. Her award-winning redesign of Abu Dhabi’s Government Offices demonstrates her ability to modernize heritage structures. Current projects include the Kempinski Residences The Creek and a major Abu Dhabi museum development.
    Yasmina Makram

    The Cairo-based designer’s HA-BEIT’A Pavilion at Cairo Design Week demonstrated her ability to create avant-garde yet authentic spaces. Upcoming projects include an Art Deco-inspired Nile apartment and futuristic offices in Saudi Arabia.
    Zeina Aboukheir

    The Italian-Lebanese designer’s decades-long commitment to slow living design culminates in projects like Luxor’s Al Moudira Hotel. Current work includes renovating a historic Cairo skyscraper, bringing new life to the city’s architectural heritage.
    Pallavi Dean

    A true global citizen, Pallavi Dean, founder of Roar, brings a multicultural sensibility to her designs. Born in India, raised in Dubai, and honed in London, her portfolio is a testament to her versatility, encompassing high-profile hospitality, commercial, and residential projects across the Middle East, Africa, and the UK. Dean’s work is defined by its narrative-driven approach, where every space tells a story.
    Dima Srouji

    Through her London-based practice and glassware brand Hollow Forms, this Palestinian architect explores cultural heritage using materials like glass and plaster. Her work often examines archaeological narratives, including historical excavations conducted by Palestinian women.
    Aisha Al Sowaidi

    This Doha-based designer infuses nostalgic elements into contemporary spaces, from playful mirror designs to reimagined majlis concepts. As director of Qatar Museums’ Liwan Design Studios, she transformed a historic girls’ school into a thriving creative hub for Doha’s design community.
    Maja Kozel

    For Maja Kozel, design is as much about social responsibility as it is about beauty. Drawing inspiration from Emirati heritage, she seamlessly weaves sustainability into her projects, championing recycled materials without compromising on artistry. Her award-winning Tubo lighting design for Surge for Water is a striking example of how ethical design can also be exquisitely crafted.
    Salwa Samargandi

    The Saudi architect takes a holistic approach to heritage preservation, as seen in her sensitive restoration of AlUla’s historic mosque. Her work successfully balances historical authenticity with contemporary functionality.
    Maliha Nishat

    With a career spanning Design Worldwide Partnership and HBA, Maliha Nishat has become synonymous with elevated hospitality design. Currently shaping Marriott’s footprint across the region, including the Marriott Hotel Rabat and Westin & Element Riyadh, Nishat collaborates with top design houses to create immersive travel experiences that resonate on a deeply human level.
    Hala Saleh

    The Cairo-based designer challenges conventional aesthetics through projects like her midcentury-inspired villa in Katamaya Heights, featuring an unconventional eggshell-blue palette. Her background in mechanical engineering informs her innovative approach to adaptive reuse.
    Lina Ghotmeh

    Known for her work with Hermès and the 2023 Serpentine Pavilion, the Lebanese architect emphasizes sustainable materials and craft techniques. Her upcoming project includes a contemporary art museum in AlUla designed as interconnected desert pavilions.
    Sneha Divias

    Portuguese-born Sneha Divias brings a European sensibility to the Middle Eastern design landscape. After honing her craft in Lisbon and New York, she founded her own atelier in Dubai, quickly earning recognition as Interior Designer of the Year at the 2017 Commercial Interior Design Awards. Her work is marked by its diversity, blending global influences with a keen understanding of local context.
    Sahar Al Yaseer & Cristina Gallenca

    The duo behind UAE-based La Bottega specializes in narrative-driven hospitality design. Their Delano Dubai penthouse project successfully translated the brand’s Miami aesthetic into a Dubai context, creating a seamless indoor-outdoor experience.
    Laila Al-Yousef

    A champion of sustainability and female empowerment, Laila Al-Yousef co-founded Say Studio with a mission to integrate social responsibility into design. Her involvement with Surge for Water underscores her commitment to meaningful creativity, while her corporate workspaces at Perkins+Will remain benchmarks of innovation.
    Aziza Chaouni

    The Moroccan architect addresses climate challenges through socially conscious design. Her earthquake-resistant housing prototype for High Atlas communities and adaptive reuse of a 1930s bus station demonstrate architecture’s potential for environmental and social impact.
    Zoubeida Chtiba

    Tunisian designer Zoubeida Chtiba’s work is a masterclass in modern simplicity. Her use of warm hues and strategic mirrors creates spaces that are both luminous and serene.
    These remarkable female interior designers represent the vanguard of Middle Eastern design, challenging conventions and elevating the region’s creative reputation on the global stage. Their 2025 projects not only showcase Arab design excellence but also demonstrate the growing influence of female leadership in shaping the built environment across the Arab world.
    From preserving cultural heritage to pioneering sustainable solutions, these designers are writing a new chapter in the region’s design narrative – one where women’s voices and visions are leading the way.
    – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
    Images: Instagram & Feature Image: Instagram @vshddesign @aljoudlootah More

    More stories

    • 163 Shares

      in lifestyle and culture

      How The Rug Company Bungalow weaves an experience for human and brand connection

      by

      Kate Judd, Managing Director at The Rug Company, and Rabah Saeid, founder and creative director of Dubai-based design studio, Styled Habitat, on the business of craftsmanship and weaving an experience beyond retail for human and brand connection.

      Kate Judd, Managing Director at The Rug Company, and Rabah Saeid, founder and creative director of Styled Habitat

      What do the first 30 minutes of your day look like, your morning routine?
      Kate Judd (KJ): My morning routine is my time to ground myself for the day ahead. I start with a coffee and love sitting on my balcony, taking in the view of Zabeel Palace. The Arabian light never gets old for me, especially since moving from New York. Lately, I’ve been listening to business and fashion podcasts as I ease into the morning. I use this time to reflect on the person I want to be that day – and how I should dress to match that energy. Do I need to channel power in a BOUGUESSA blazer with statement jewellery, or am I dressing for a beautiful day hosting guests in The Bungalow’s garden? This routine is sacred to me, especially as my schedule becomes more demanding.
      Rabah Saeid (RS): I love a slow morning. I intentionally wake up early, around sunrise, to savour my ritual. To awaken my senses, I light Palo Santo wood or a candle and practise deep breathing to cultivate calmness and ground myself. Then, I settle into a chair with a cup of tea – my only opportunity for stillness throughout the day. As an interior designer, my days are filled with varied tasks and constant interaction. From collaborating with my team to meeting clients, overseeing contractors, and visiting project sites, there is never a dull moment. The demands are endless, the pace relentless. My morning routine is a deliberate act of self-preservation in the face of a demanding day. The stillness of the early morning hours offers a sanctuary of peace, allowing me to navigate my work with greater presence and intention.

      How did you start off in this industry? Talk to us through your career journey.
      KJ: I started my career working for an antiques store that supplied pieces to Ralph Lauren stores, which is where I first discovered my passion for curating unique pieces to shape immersive experiences. In 2012, I joined The Rug Company in London to help launch a new concept for the Chelsea Flagship showroom. Over time, my passion for visual merchandising and showroom design led me to take on the role of Visual Merchandising Director. I then went on to create over 15 showrooms globally, from London to New York, Cape Town to Moscow, and more. Each project allowed me to blend local cultures with our brand’s identity. Naturally, I transitioned to managing The Rug Company’s franchise and distribution network, overseeing over 20 partners worldwide. This role combined my love for travel, business development, and relationship-building. In the past two years, I’ve focused on repositioning The Rug Company in the Middle East, helping shape our presence in this incredible market.
      RS: Growing up, I was surrounded by intellectual conversations and diverse perspectives, fostered by eclectic dinner parties and a home filled with an appreciation for beauty and travel. This instilled in me a deep love for design. Despite this, I was on track to pursue a degree in medicine until I moved to the U.S. and discovered my passion for interior design while decorating my own space. Curating tablescapes and hosting gatherings ignited a creative spark I had never considered as a career. This realisation led me to pivot. I returned to school and earned a degree in interior architecture. My design career began in Houston, Texas, working on high-end residential projects, historical homes, and multi-family developments in Houston, Dallas, Aspen, and New York. In 2012, I moved to Dubai, where my regional journey continued to evolve – from workspace solutions to hospitality design in Marrakech, Morocco – ultimately leading to the founding of Styled Habitat in 2016.

      What is the design DNA and core philosophy of the brand and how does it differ from the rest?
      KJ: At its heart, The Rug Company is about artistry, craftsmanship, and storytelling. Our in-house studios in New York and London create pieces that transcend trends – each rug is meticulously handcrafted by killed artisans, taking months to perfect. It’s the antithesis of mass production. But a rug is more than just a decorative piece – it symbolises warmth, hospitality, and tradition. We understand that our creations become treasured parts of our clients’ lives, enriching the spaces where meaningful moments unfold.
      RS: Design is deeply personal – at Styled Habitat, our design philosophy centres on creating spaces that are both emotionally resonant and enduring. We believe that the interplay between understated elegance, sensual allure, and a feeling of belonging is key to achieving this. Our approach is rooted in an appreciation for the richness of history, the significance of context, and the transformative power of storytelling. We create environments where people can expand their experiences and feel truly at home.
      Tell us more about the concept behind The Rug Company Bungalow.
      RS: Nestled in the heart of Jumeirah, The Rug Company Bungalow marks a milestone as the brand’s first standalone store in the Middle East. This enchanting boutique is a masterclass in nostalgic elegance, seamlessly blending vintage charm with contemporary sophistica- tion. Paying homage to the mid-century villas on Al Wasl Street, built in the 1980s, the design amplifies the villa’s distinct architectural characteristics. The iconic pitched roof and the connection to the outdoors are celebrated, revitalising the bohemian and eclectic style reminiscent of old-school Palm Springs glamour. This design approach gives the Bungalow a timeless and stylish charm.

      “The Bungalow is a space designed to be more than just a showroom – it’s a place for conversations, collaborations, and creative exchange”

      KJ: The Bungalow is a space designed to be more than just a showroom – it’s a place for conversations, collaborations, and creative exchange. We wanted to move away from the traditional retail model and create an environment that feels more like a beautifully designed home, where people can experience our rugs in a more personal way. The space also doubles as a cultural hub, hosting talks, installations, and intimate gatherings for our discern- ing clientele and the region’s design and art community. Since launching in late November, the events we’ve hosted have surpassed even our highest expectations for The Rug Company’s new home in Dubai.

      How did you know it was the right time to launch this and what was the catalyst?
      KJ: For many years, we were fortunate to have the amazing Arwa Hafiz from The ODD Piece representing us. When she decided to move on to her next chapter, it gave us the perfect opportunity to officially bring The Rug Company into the UAE, a market that has shown us so much love over time. It was the perfect time to establish our official presence. The UAE is such an exciting place to be, especially in the design world. The talent here is incredible – visionaries like Rabah are shaping the region’s design landscape – and we’re already seeing how much we can grow by collaborating in this inspiring space.
      The space evokes the charm of 1970s architecture blended with the bohemian glamour of Palm Springs. Did you envision this aesthetic from the outset?
      RS: Styled Habitat’s thoughtful design transforms the Bungalow into a warm and inviting retreat, evoking the quintessential retro lifestyle of the 1950s and ’60s. A design alchemy allowing design to unfold piece by piece material by material. Earthy tones, rich textures, and natural materials harmoniously blend, paying homage to the mid-century villas lining Al Wasl Road. The design studio me- ticulously incorporated the villa’s history and context, highlighting its distinctive architectural features. The pitched roof, a hallmark of mid-century design, is reimagined with cleverly integrated air vents. Meanwhile, arched windows frame breathtaking views of Moroccan- inspired gardens, blurring the lines between indoors and outdoors.
      The space puts craftsmanship at the forefront. What are some of the design touches that make it unique?
      RS: The Rug Company Bungalow transcends traditional retail, serving as a haven for design enthusiasts. This meticulously curated space invites exploration, inspiration and connection. As a beacon of style and sophistication, it brings a fresh perspective while maximising the potential of the space, further solidifying Jumeirah as a hub for luxury and design innovation. Upon entering, visitors are greeted by a sun-drenched conversation pit, a nostalgic centrepiece that embodies the essence of retro chic. The adjacent Cushion Display Room showcases an exquisite collection of hand-woven wool and silk cushions, crafted by renowned designers. Each piece reflects an unwavering commitment to quality and artistry. Creating tangible moods and moments that speak to the notion that we can all transcend the ordinary simply by stepping through a well-designed space.
      KJ: Aside from our jewel-box Cushion Room and 70s-inspired sunken lounge Rabah has mentioned, my favourite design moment is the enclosed palm tree that we have. It’s viewed from most points inside the Bungalow, and it’s a testament to Rabah’s visionary yet playful design sensibility. It has become symbolic of The Bungalow and always reminds us of the Dubai beyond whenever we’re spending our day there.
      How challenging was it to implement this and how did you achieve this in such a location?
      KJ: The Rug Company Bungalow was definitely a labour of love. This was one of the most challenging yet deeply reward- ing projects of my career. Collaborating with Rabah’s vision was key in creating a space that feels like home – a sentiment our guests often share upon arrival. We couldn’t have asked for a more inspiring environment to showcase our rugs, helping people envision how they could elevate their own personal spaces.
      RS: Renovating a space always comes with unforeseen challenges. In the case of the Bungalow, the tight timeline was the main hurdle. Thankfully, our client Kate, with her extensive experience opening showrooms internationally was very understanding and supportive. The developer, Huna Living, provided incredible support and believed in our vision and championed the project from the start. Lastly, the tireless efforts of Hannah Bower-Brooks and her team at Cherwell Interior were instrumental in transforming the dilapidated space into a stunning space. The end result is something truly unique – when you step into the Bungalow, you feel both fully immersed in the environment and transported to another time and place.
      The Rug Company Bungalow is designed to be a showroom and modular creative hub. What are the services being offered?
      KJ: From the moment guests walk through the door, they’re met with the highest standard of service – something Dubai expects, and we deliver. Our team takes the time to understand each client’s space or project, offering thoughtful suggestions tailored to their needs. We offer personalised consultations, a white-glove service with at-home rug approvals, and the opportunity for clients to be fully involved in creating a bespoke rug – from concept to completion. Hospitality is just as important to us as design and ensuring that every guest feels at home has been a priority from the very beginning.
      This is The Design Issue – what is the first design that has left an impression on you?
      RS: I have such a passion for everything under the design umbrella – art, fashion, landscaping, travel, nature, architecture, and graphic design. There are so many facets to explore. One of the most profound design impressions I’ve had was seeing the early experimental works of Charles & Ray Eames at MoMA in New York City. Their approach – that design is primarily about process rather than a final product – serves as a great reminder to stay curious and never stop questioning the design journey.

      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      Images: Supplied More

    • 175 Shares

      in lifestyle and culture

      How I got my job as… founder of a well-curated vintage interior concept store

      by

      Life

      by Camille Macawili
      41 seconds ago

      This week, Emirates Man speaks to Mateen Shah, founder of Assembly, a well-curated vintage concept store of rare furniture, decor, and collectibles located in Al Quoz that will satisfy all interior desires.
      Welcome to the Emirates Man weekly series ‘How I got my job as…’ where we speak to some incredible entrepreneurs and businessmen both based in the UAE and globally to find out about their career paths that led them to where they are now; what their daily routines look like; the advice they’d give to those starting out; and the hurdles they’ve had to overcome.
      Here, Mateen shares how he’s spent his early career before eventually pivoting his passion in curation and eye for design into opening Assembly.

      Mateen Shah, founder of Assembly

      What was your favorite subject at school?
      Business, economics, and history were my favorites. I’ve always been fascinated by how markets evolve, how industries shape culture, and how history influences design and consumer behavior. Understanding economic trends and historical movements has played a huge role in how I approach sourcing, curating, and growing Assembly Vintage.
      What was your first job?
      My first job was in retail—I started working in department stores in sales at the age of 12 or 13 to earn extra pocket money. From the very beginning, I was captivated by the world of storytelling and the art of selling beautifully crafted, aesthetically appreciated products. That early experience shaped my passion for curation and design-driven retail.
      What eventually brought you to Dubai?
      Moving from New York was not an easy decision, but Dubai’s dynamic, ever-evolving nature drew me in. It’s a city that embraces creativity, innovation, and new ideas while maintaining a strong connection to tradition. The growing appreciation for design and interiors here made it the perfect place to bring Assembly Vintage to life. That said, my journey wasn’t immediate—I spent my initial years in a corporate role before fully embracing entrepreneurship and carving out my space in the design world.
      What inspired you to enter the retail/interior design space and launch Assembly?
      I’ve always had a deep appreciation for design that tells a story—pieces that have lived a life before they reach you. The idea for Assembly Vintage came from a desire to make unique, high-quality vintage and collectible design more accessible in the GCC. There was a gap in the market for a curated, design-driven vintage concept, and I wanted to create a space that brought together people who share that appreciation.

      What are the key elements of your role?
      A bit of everything! From sourcing pieces from around the world to curating collections, working on store activations, and connecting with collectors and designers. A big part of my role is storytelling—each piece at Assembly has history, and it’s my job to bring that to life for our audience.
      Talk us through your daily routine.
      No two days are the same, but typically, my mornings start with reviewing new inventory or checking in on sourcing opportunities. I spend a lot of time curating the showroom, working on digital content, and collaborating with designers and collectors. Afternoons might involve client meetings, styling consultations, or brainstorming new activations. In between, I’m always on the lookout for unique finds.
      What is the best piece of advice you ever received?
      “Buy with intention.” Whether it’s in business or in life, every decision should be made with purpose. It’s easy to chase trends, but true design—and true success—comes from curating with a clear vision.
      And what is the worst?
      That you have to follow a set path to succeed. I don’t believe in rigid formulas—sometimes, taking an unconventional route leads to the most exciting opportunities.

      Tell us more about the offerings at Assembly – is there a favourite piece you like?
      Assembly Vintage is all about sourcing timeless, design-forward pieces—from mid-century modern furniture to rare collectibles and unique decorative objects. One of my favorite pieces right now is the Eames Lounge Chair and Ottoman—an absolute icon that blends comfort and elegance effortlessly. Another standout is the Praying Mantis Sculptural Floor Lamp, a truly artistic lighting piece with incredible presence.
      What has been the biggest challenge you had to overcome?
      Building awareness around the value of vintage in a market that’s still catching on to it. Many people associate “new” with better, but vintage isn’t just about nostalgia—it’s about sustainability, craftsmanship, and design that lasts. Educating customers and shifting that mindset has been both a challenge and a rewarding part of the journey.
      What advice do you have for anyone looking to follow in the same footsteps?
      Follow your instincts, but also do your research. The vintage and collectible space requires deep knowledge of design history, authenticity, and sourcing. And most importantly, be patient—great pieces (and great businesses) take time to find and build.
      What are your goals for the future?
      To expand Assembly Vintage into a curated global platform for collectors and design lovers—a space where rare, high-quality vintage pieces are accessible, celebrated, and thoughtfully sourced from around the world. I also want to continue building unique collaborations, immersive retail experiences, and a community that appreciates the artistry and history behind each piece.
      – For more on how to look smart and live smarter, follow Emirates Man on Facebook and Instagram
      Images: Supplied  More

    • 125 Shares

      in lifestyle and culture

      Exclusive: At home with Ann Hertha, founder of FE Agency

      by

      Life

      by Camille Macawili
      27 seconds ago

      VIEW GALLERY/ 8 IMAGES
      Take a peek inside Ann Hertha, founder of FE Agency, modern-minimalist home built upon bespoke interiors and thoughtful decor.
      How long have you been in this space?
      After living in Dubai for 12 years, we finally purchased our first house and transformed it into a space that truly reflects our taste and style. In December, we received the keys and wasted no time starting renovations. Despite a complete overhaul, we were able to move in after just three months. Unfortunately, the heavy rains earlier this year caused delays, and our outdoor area was only finished in June. Typically, we spend the summer months in Europe, but this year we were equally thrilled to return to our new home and open it up for the new season.
      Have you custom-built any bespoke pieces?
      The list of our custom-built interior items is extensive. I have a deep passion for fashion and interior design, both of which reflect my identity and values. Throughout our renovation process, I prioritised sourcing locally and upcycling. Working with local craftsmen has been key in bringing my vision to life and supporting local is also one of the pillars at FE Agency.
      Various pieces in our home, such as the dining table, sofa, and bathroom counters, were designed by me and produced locally. We also repurposed materials, like tiles and marble, for different areas of our home. The kitchen countertop is upcycled marble from a Bottega Veneta event and the wooden pergola that frames the outdoor dining space is made from our old dining table. The outdoor space was a major project, with secondhand tiles, where the cracked pieces found new life in the outdoor shower. We created spaces for entertaining and socialising, such as an outdoor dining and BBQ area, game corner and a sunken Majilis with a fire pit.
      Each detail in our home holds special meaning, like the railroad sleeper used for the staircase, which reminds me of a cherished memory in Bali when my husband proposed. But my favourite is for obvious reasons my custom walk-in closet.
      How do you think the interior reflects you?
      I love combining the simplicity and functionality of Scandinavian design with the rich textures and colours of Middle Eastern and African influences. My home is a mix of clean lines, natural elements, and pops of vibrant hues inspired by my travels. Our green statement pool and the wilderness planted around is, for example, inspired by a trip to the Seychelles.
      My home is a representation of my past, present, and future and brings me a sense of comfort and happiness to be surrounded by things that remind me of the places and people that have shaped me into the person I am today. I believe that creating a space that reflects who you are and where you’ve been is essential in making a house feel like a home. It’s important to me that every corner of my home tells a story and evokes a sense of warmth and comfort for not only myself but also for my family and guests. I hope that anyone who visits my home can feel the love and care that I have put into creating a space that is truly me.
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      November’s – The Precious Issue – Download Now
      Photography: Ahmed Abdelwahab More

    • 125 Shares

      in lifestyle and culture

      In the office with Dina ElShurafa, founder of Reform Athletica

      by

      Life

      by Camille Macawili
      3 hours ago

      VIEW GALLERY/ 10 IMAGES
      Dina ElShurafa, founder of Reform Athletica, takes us inside their upscale fitness studio at ICD Brookfield Place.
      How long have you been in this space?
      We opened our doors at ICD Brookfield Place on September 1, 2023.
      Have you custom-built any bespoke pieces?
      The whole space has been custom- built. As design guardians, London-based TR Studio Architects worked very closely with us to turn our vision into reality. We wanted to create a special space for our clients. In addition to the design, the art collection has been specially curated and includes pieces by Picasso, Ed Ruscha, Damien Hirst, and eLSeed, among others.
      How do you think the interior reflects you?
      Whether at our ICDB or our Jumeirah location, art has been at the heart of our design. This is a constant in all our spaces because what is a space without art? We also believe that comfort and aesthetic must go hand in hand which is why we en- sure that our spaces are first and foremost comfortable for our clients.
      Describe your taste in three words.
      Classically modern, comforting and timeless.
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      June’s – The Body Issue with So Much Trouble – Download Now
      Photography by Mark Mathew More

    • 138 Shares

      in lifestyle and culture

      Breton ventures into gobal markets: Unveiling its flagship store in Dubai

      by

      Life by Team Emirates Woman 23 mins ago IN PARTNERSHIP: Breton, the illustrious Brazilian luxury furniture design company boasting over 55 years of rich history, is poised to make its mark on the international stage with the inauguration of its first flagship store in Dubai. With an existing footprint of 19 stores across Brazil, this strategic move signifies Breton’s ambitious foray into new territories, starting with the cosmopolitan hub of Dubai. Situated in the prestigious residential district along Al Wasl Road, Breton’s Dubai flagship spans an impressive 2,300 square meters. The choice of Dubai as the launchpad for its global expansion was deliberate, owing to the city’s cosmopolitan allure, burgeoning luxury market, and exponential retail growth, which has soared to $10 billion over the past decade. André Rivkind, CEO of Breton, emphasized the significance of this milestone, stating, “We are attentive to significant business opportunities, and that’s why we chose Dubai to host this new challenge. It is very important for the brand to spread its ideals and values internationally, as well as to carry the name of Brazil and national design linked to the quality and sophistication of our products.” Backing Breton’s endeavor is local investor Rohit Prem Khemany, whose blend of Brazilian and Indian heritage, coupled with astute business acumen, positions him as a catalyst for the brand’s expansion plans across the Middle East, Asia, and North America. The Dubai flagship epitomizes elegance and innovation, housed within a meticulously renovated villa featuring multiple levels, a rooftop garden, and open outdoor spaces conducive to hosting events for architects and designers. Notably, the Glass Gallery, conceived by renowned Brazilian architect Fernanda Marques, serves as a striking showcase for Breton’s latest furniture collection, accentuating the brand’s commitment to design excellence. Daniel Pegoraro, Director of Product, Style, and Image for Breton, underscored the brand’s distinctive allure, stating, “Breton’s differentiating factor lies in its original design crafted by prominent and acclaimed names in Brazilian design, and all products can be fully customized.” Moreover, Breton’s commitment to sustainability remains unwavering, with the Dubai unit adhering to eco-friendly practices akin to its stores in Brazil. From waste recycling to planting trees in the Atlantic Forest through a partnership with the NGO SOS Mata Atlântica, Breton’s eco-conscious initiatives underscore its dedication to environmental stewardship. With a legacy built on sophistication, distinctive design, and a steadfast commitment to environmental and social responsibility, Breton has emerged as a beacon of excellence in the high-end furniture market. – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram. Images: Supplied More

    • 175 Shares

      in lifestyle and culture

      Alberto Caliri on crafting the artistic tapestry of Missoni Home and building a legacy

      by

      Emirates Manby Ruman Baig2 hours ago Alberto Caliri has not only overseen ready-to-wear collections for Missoni but has also made substantial contributions to the realms of home decoration and furniture design for the luxury brand.His distinguished curricular studies and research in arts, textiles, and colours have cultivated a unique perspective that has seamlessly evolved with Missoni since 1998.Transitioning to the position of Missoni Home Collection Creative Director in March 2022, Caliri’s journey reflects a deliberate fusion of Missoni’s heritage with contemporary elements.In a freewheeling chat with Emirates Man, Caliri talks about the intricacies of his vision, examining the intersection of chromatic shades, irony, and profound sensitivity that shape Missoni’s Home collections.Alberto, your career with Missoni spans over two decades, transitioning from overseeing ready-to-wear collections to becoming the Creative Director of Missoni Home Collection. How has your journey evolved, and what inspired this transition?I’ve dedicated two decades working with Missoni, where it has allowed me to showcase my creative prowess. I’ve always been passionate about home design, so it was a natural choice for me to transition to Missoni home. It has been a lifelong passion which I’m happy to finally embrace. It has evolved naturally, and I think there is no better time to do it but now especially with the opportunities to create beautiful homes and leisure destinations.Missoni is known for its iconic colour palettes and zigzag patterns. How do you ensure a harmonious synergy between Missoni’s heritage and contemporary elements in the brand’s home collections, particularly in Moonstone Interiors by Missoni residences?Throughout the creative process of Moonstone Interiors by Missoni, we made sure to showcase the unparalleled expertise in luxury design and craftmanship Missoni has been known for. We did our best to integrate the natural environment of beachside living, with the design elements of Missoni, through a harmonious play with light, silhouettes, and shadows – creating a sophisticated coastal allure.The Moonstone Interiors by Missoni project in Ras Al Khaimah reflects a passion for art, culture, and nature. Can you elaborate on how Missoni’s iconic elements blend with details inspired by natural beauty, creating a unique and refined environment for this residential project?Unique combination of lines and colors, when applied to every detail of the project from the architecture to the interiors, furnishings and accessories, reflected a clear distinction and created an imprint that cannot be replicated. We played with the natural environment and the sophisticated craftmanship of the development – allowing us to create a distinctive Missoni residence that has the coastal imprint and opulent design.The Moonstone Interiors by Missoni residences are expected to be completed by the end of 2026. What challenges and opportunities do you anticipate in bringing Missoni’s design philosophy to a luxury residential project, and how does it differ from your work in fashion collections?One of the challenges we faced is the anticipation of the final product, where you are unable to see, touch and feel the ‘real thing’ until they finish the development. You are only able to experience such through renders and alike. Whereas clothing pieces can have prototypes to see the look and feel. However, with the long-standing expertise of our team, we have sharpened our abilities to ensure that the design philosophy of Missoni is gracefully executed and experienced by its residents regardless.The development includes various amenities such as a swimming pool, rooftop sunset pool, gym, spas, and more. How do you approach the integration of interior design with functional spaces to enhance the overall living experience for the residents?Our team made sure that the unique and vibrant aesthetic, along with the fusion of colors and patterns, echoes the vibrant essence of beachside living that is boasting in AlMarjan Island. Being aware of the natural elements, and the energy of the place allowed us to integrate the Missoni beachside allure, which is present in some of the properties we have launched previously.Reflective and transparent surfaces are strategically integrated into the Moonstone Interiors, creating a kaleidoscopic effect with natural light. How does this design choice contribute to the overall ambiance, and what impact do you expect it to have on the residents’ experience?Our goal is for its residents to experience a visually immersive experience that isn’t disruptive of daily life. We wanted the Missoni allure to effortlessly, and naturally fall into place by simply elevating the already existing luxury living within the property.Missoni as a brand is associated with bold design, elevated luxury, and attention to detail. How do you ensure that these values become the hallmarks of Moonstone Interiors by Missoni, and what sets this development apart in terms of design and luxury within the real estate landscape?With the brand’s commitment to luxurious craftmanship, the interiors typically feature a harmonious blend of Missoni’s signature patterns and textures, creating a visually striking and cohesive living environment. The attention to detail extends to the selection of furnishings, textiles, and finishes, all carefully curated to embody the brand’s unique style. This holistic approach to design sets Missoni residences apart, offering residents a truly immersive and exclusive lifestyle.– For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and InstagramImages: Supplied by Missoni  More

    • 100 Shares

      in lifestyle and culture

      Exclusive: In the office with designer Kristina Fidelskaya

      by

      Life

      by Camille Macawili
      4 hours ago

      VIEW GALLERY/ 7 IMAGES
      Fashion designer Kristina Fidelskaya talks to Emirates Woman about her office space in Dubai Design District and how it reflects their brand.
      Tap the gallery above for an exclusive tour inside.
      How long have you been in this space?
      We have been in this office since d3 Dubai Design District opened seven years ago. As it was a project of a new area combining fashion and design, we knew we would be surrounded by creativity and inspiring people.
      Have you custom-built any bespoke pieces?
      We created our office and showroom from scratch, working closely with interior designers in order to infuse our brand DNA and to bring my vision to life from the concrete walls to the installation made of glossy steel to display our new collections. For the furniture, I like to play with the home lines from other fashion houses.
      How do you think the interior buys reflect you and your brand?
      I wanted a space that matches the vibe of my own house as well as our store in Dubai. Soft, peaceful, clean, and cosy, spending time here should feel like home to be comfortable and leave room for creativity. Most of our interior buys being customized and made-to-measure goes along with the DNA and values of our atelier and brand.
      Describe your taste in three words.
      Elegant, pure, and peaceful.
      June’s – The Skin Issue with Instytutum – Download Now 
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram More

    • 138 Shares

      in lifestyle and culture

      Exclusive: In the office with the Founders of Suited & Booted

      by

      Emirates Man

      by Camille Macawili
      14 mins ago

      VIEW GALLERY/ 4 IMAGES
      Founders of Suited & Booted talk to Emirates Man about custom designing their space and how it reflects their brand.
      How long have you been in this space?
      We moved into this space in February 2020.
      Have you custom-built any bespoke pieces?
      Every detail of our Dubai showroom has been custom designed to create a truly exceptional experience for our clients. From the layout to the tailor-made display cabinets and shelves, the showroom is carefully arranged to highlight our finest garments and accessories – allowing our clients to appreciate the meticulous attention to detail that goes into each piece.
      How do you think the interior buys reflect yourselves and the brand?
      Each aspect of our showroom has been thoughtfully curated to reflect the essence of refined men’s tailoring. We have hand-picked pieces to create an atmosphere that is inviting and comfortable – using materials such as fine wood, rich leather, and polished metals to add a touch of luxury to the space.
      Describe your taste in three words.
      Classy, refined, and timeless.
      Emirates Man The Summer Escape Issue – Download Now
      – For more on how to look smart and live smarter, follow Emirates Man on Facebook and Instagram
      Photography by Ahmed Abdelwahab More