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    Director of ICD Brookfield Place Arts Programme on decentralising art spaces

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    Life

    by Camille Macawili
    3 mins ago

    Malak Abu Qaoud, Director of ICD Brookfield Place Arts Programme, discuss the lifestyle property’s pathway to decentralising spaces, her passion for the arts, and fostering education with culture and community at its heart.
    Malak Abu Qaoud, Director of ICD Brookfield Place Arts Programme. Photography: Omar Sha3
    What do the first 30 minutes of your day look like, your morning routine?
    I wake up around 7am every day. I really try not to check my notifications first thing; otherwise, I’ll feel anxious about the day ahead. Sometimes, I wake up earlier and go for a walk along the beach boardwalk, or I fit in a workout at one of the gyms at ICD Brookfield Place. The facilities are great, so it’s easy to make exercise part of my routine. Then, I start my day with a coffee and a catch-up call with my long-distance friend and colleague to discuss work updates and brainstorm future ideas.
    Tell us about your career journey.
    I’ve been working since I was a kid. My first job was narrating children’s educational computer games when I was nine, and I did that for about seven years while I was in school. When I was living in Montreal, I was always ambitious about finding side projects, internships, and extracurricular activities. I joined a student-run Palestinian human rights association at university, which allowed me to work with artists to raise money for different causes. This led me to join an art consulting and production agency, where I was eventually hired full-time. During my time there, I learned how to work closely with artists, produce exhibitions, and create a community. When I joined ICD Brookfield Place, I applied a lot of what I had learned over the years to my role here. I now run the Arts & Events programme in the building, where my team and I curate public exhibitions and oversee cultural placemaking initiatives within ICD Brookfield Place.
    Under your directorship, how has the arts programme evolved at ICD Brookfield Place since its inception and how do you aim to steer its future direction?
    I joined ICD Brookfield Place when the building had just opened, so the identity of the arts programme was mine to shape, without a pre-existing reputation to change or uphold. We started small but were very careful with curation. Our main strategy has always been to support the regional creative community, platform their work in a public setting, and create an ecosystem that connects artists, tenants, and the public. We’ve been very consistent in curating exhibitions that are accessible to everyone, and now we’re pushing the boundaries and messaging with our shows. We strive to articulate progressive social issues and pave the way for change. In the future, I’d love to expand our arts programme beyond the building and collaborate with regional institutions to fund artist residencies and grants.
    Photography: Seeing Things
    What sets it apart from the rest of the art spaces in the UAE? How do you strategise the offerings in order to create a strong regional identity?
    To begin with, ICD Brookfield Place is a commercial office building located in a financial district. Our arts programme operates very differently from a traditional white-cube gallery because we are based in a highly public setting. We bring people from all walks of life together in one space, making us an important part of the ecosystem. We offer something collaborative, communal, and non-traditional, resulting in a true interdisciplinary melding of interests and specialties with exciting outcomes. We don’t fit into a specific category of art institutions, which allows us to continuously innovate and evolve based on the needs of the public.

    “Public art is not meant to be intimidating; rather, it is engaging because it exists in communal areas enjoyed by people from all walks of life”

    To you, what role does the ICD Brookfield Place Arts Programme play in the wider cultural landscape?
    ICD Brookfield Place is a space for people – we’re open to the public and inclusive. We aim to curate shows that are culturally accessible, allowing everyone to truly enjoy and take part in the conversation. We are setting a new benchmark for what non-institutional forms of public art can achieve in the city. Placing art within shared spaces creates engaging environments that allow the public to build and foster organic connections with their surroundings. Through this, people find value in their environment. Public art is not meant to be intimidating; rather, it is engaging because it exists in communal areas enjoyed by people from all walks of life. There is so much joy in witnessing people’s reactions to the space – it’s the best kind of adrenaline.

    How do you think your early experiences of art have shaped your vision as the Director?
    My older sisters studied fine arts in college, and growing up, I was always inspired by them. My dad also used to paint when he was younger, so I grew up in a creative environment. My parents always encouraged me to explore my creativity, whether at home or at school. I think that’s what gave me the confidence to trust my instincts when programming the next show. It’s something I just feel, and I go for it – which is a blessing because it allows me to explore and take risks. Most of the time, it works out great, but other times, we learn – and that’s the best way to grow.
    What are some of the biggest shifts in the art space throughout the past five years – have any of those changed the way you approach when working on the programmes?
    I sometimes feel that exhibitions can become repetitive and not very exciting; it’s rare that I leave wanting more. Usually, the shows that have that effect are the more experimental ones. At ICD Brookfield Place, I always strive to explore different mediums of art – whether through scenography and design, musical programming, utilising unexpected areas of the building, or even the messaging of the show. It’s important to keep things fresh and keep people excited for what’s next.
    What are you looking forward to this year – any highlight that you’re personally excited to see?
    Absolutely! Our current show with Miles Greenberg, titled “Le Miroir,” is a multi-channel film (ACT I & ACT II). The first act was a durational performance filmed at a historical heritage site in Marrakech as part of the 1-54 Art Fair, while ACT II was filmed in the UAE desert shortly after. The result is beautiful – the film explores human duality and emotional transformation.

    How do you remain open-minded and interested in discovering new creatives? Are there any specific people or events that have influenced your curatorial lens?
    It’s hard to always be switched on and stay up to date with current trends or upcoming shows, but most of the time I come across new creatives on social media, through other artists, or by spending time in different cities. I find a lot of talent in Jordan and Palestine – it’s incredible. When I discover a creative, I try to fit them into the programme or introduce them to other institutions or galleries in the UAE to help grow their careers. There have been some key players in the growth of the programme since its early stages – they have been incredibly supportive, and we have regular catchups and collaborations.
    What’s been key for you in building that authentic community around these projects you’ve worked on?
    Honestly, it’s about staying true to myself and the programme. I’m very passionate about what I do because I genuinely enjoy it, and I think that comes across naturally. People can always tell when something feels forced or inauthentic. It takes patience, but eventually, the community builds organically, and people start to recognise and appreciate the hard work. Five years in, I couldn’t have imagined the programme would grow this much, this fast!

    This is The Design Issue – what is the first design that has left an impression on you?
    I studied interior architecture, so I grew up highly attuned to my surroundings. This is probably why I’m so interested in how humans interact with space and how space interacts with art. My earliest impression of design when I was younger was probably my grandparents’ home in Jerusalem, their house is so historic, and I loved learning about the cultural preservation of architecture. I’m very interested in conservation of cultural identity and the way architectural elements tell stories of time and place.

    – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
    Images: Supplied More

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      Sevil Dolmacı, founder of Sevil Dolmacı Gallery Dubai, on creativity and curation

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      Life

      by Camille Macawili
      54 mins ago

      Sevil Dolmacı, founder of Sevil Dolmacı Gallery Dubai, discusses honing a vision and finding a distinct voice in the emerging art markets, about her evolving taste, and the importance of trusting your instinct to support creative young talents.
      What do the first 30 minutes of your day look like, your morning routine?
      I wake up early in the morning. On Mondays, Wednesdays, and Fridays, I do Pilates at 9am. On Tuesdays and Thursdays, I take a walk along Bebek’s waterfront. Around midday, I stop by the office for my meetings.
      What are the key pillars of Sevil Dolmacı Gallery that set it apart from the rest?
      Sevil Dolmacı Gallery stands out as the first gallery in the Middle East to focus on American contemporary art alongside Turkish art. What also makes us unique is our dedicated Digital Section, where we actively support various art projects and create opportunities for young talents, helping them find their place in the art world.

      Sevil Dolmacı, founder of Sevil Dolmacı Gallery

      How have your previous experiences as lecturer and consultant informed you in your current role?
      Having a strong background in art history has been a key advantage in managing the gallery, setting me apart in the field. It has helped us gain momentum quickly and build a solid network of references in the industry. Combining deep knowledge with market dynamics has been a powerful asset, making international artists feel more confident and eager to collaborate with us – ultimately contributing to the gallery’s rapid growth.
      Sevil Dolmacı Dubai is your first international outpost. Why is the Middle East market important?
      The fact that it is a new and emerging market with a strong interest in art motivated us. The region’s investments in art and the establishment of museums were particularly important factors for us. Sevil Dolmacı Dubai currently showcases two design pieces Kengo Kuma and Daniel Weil.

      “I am particularly drawn to abstract and minimal forms. At the same time, I enjoy incorporating colourful, popular forms to create a striking contrast”

      How do you discover creatives you’d like to work with?
      Kengo Kuma is the architect behind the OMM Museum in Türkiye. His artistic approach closely aligns with ours, which was the primary motivation for our collaboration. I am particularly drawn to abstract and minimal forms. At the same time, I enjoy incorporating colourful, popular forms to create a striking contrast. This is a strategy I apply in both paintings and design pieces.
      What are some of the key principles that lead you in supporting new artists and exhibitions?
      I value artists who have graduated from reputable art schools. Their perspective on art and their career planning are also significant factors. If an exhibition’s concept aligns with our vision, I contribute by providing our gallery space. In Türkiye, I am among the supporters of both the Venice Biennale and the Istanbul Biennale, as they are two of the most important international events showcasing Türkiye’s position in the global art scene.
      Kigumi table by Kengo Kuma
      What’s been key for you in building that authentic community around these exhibitions and projects you’ve worked on?
      I deeply love and believe in art. Art collectors are influenced by my dedication and investments in the field, and they appreciate gaining knowledge about it.
      As a creative, what role does the commercial aspect play for you?
      One of the most crucial elements shaping art history is the ability to successfully manage the art business. I operate within a structured and sustainable model to ensure longevity and success.
      What’s on the horizon for you and your brand?
      We will be participating in Art Dubai with our Digital Section. At our Istanbul gallery, we are preparing for a group exhibition curated by Robert Fleck, featuring some of the world’s most prominent artists. It’s a truly exciting project for us.
      This is The Design Issue – which design or artist has left an impression on you?
      The collaboration between Alessandro Mendini and Peter Halley was a remarkable exhibition project that brought together two artists and designers I greatly admire.

      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      Images: Supplied More

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      Abu Dhabi Art Fair Director on strengthening the fair’s direction for a bigger purpose

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      Taking place from November 20-24, 2024 at Manarat Al Saadiyat, Abu Dhabi Art Fair will feature 102 local, regional and international galleries, making this year the biggest edition to date.
      Year after year, the fair has gone from strength to strength to take a far more active role to expand the vision and embed itself further in the art world and nurturing the regional art landscape under the directorship of Dyala Nusseibeh, Abu Dhabi Art Fair Director. From its primary purpose as a commercial platform for participating galleries, Abu Dhabi Art offers visitors a chance to explore installations and site-specific works of emerging and renowned artists. For its 16th edition, the fair introduces new sections featuring modern regional artists and showcasing works from Central Asia and the Caucasus, to foster cross-cultural exchange along with a diverse line-up of programs to engage visitors such as talks and events.
      In the lead up to the much-awaited annual art showcase, Dyala shares the highlights for this year’s showcase, how she’s shaping the fair’s direction and strengthening its position within the art world plus, how her early career journey has influenced her curatorial lens.

      Tell us about your career journey.
      After graduating from Cambridge in 2001 with a degree in Social Anthropology, I went to Italy for a year and became an intern in a small but wonderful place called the Adriano Olivetti Foundation in Rome. The foundation conducts and supports research initiatives in the fields of culture, social sciences, business and urban planning. It works with local and international government and private sector entities to do so. In all honesty, the allure of living in Rome at the time probably superseded the urgency of carving a career path at the age of 21, but it sowed the seeds for a consideration of how to marry public and private sectors successfully in the field of culture.
      Those halcyon days in Rome were followed by a stint at the Cultural Foundation in Abu Dhabi (the epicentre of the art world in Abu Dhabi back then), two years in PR in Dubai (Saks Fifth Avenue and Aston Martin being among my favourite clients at Rawaj International) and then a Masters in Contemporary Art that took me back to the UK. From there, the Saatchi Gallery in London became my training ground, offering a deep dive into the UK art market and I then went on to found and direct an art fair in Istanbul called ArtInternational Istanbul, under the auspices of the wonderful Angus Montgomery Arts who guided me through the whole process (one of the world’s leading art fair organisers). I joined Abu Dhabi Art as director in 2016 and have now newly returned to Cambridge to begin a part time PhD in contemporary Arab art.
      How would you describe what it is that you do?
      I think anyone, in any job, is ultimately selling something. Seen through this lens you could say I sell the art fair – to galleries, sponsors, stakeholders and collectors. But a salesman is happiest when they love the product they are selling, as it makes the time they spend doing so, feel well spent. I am incredibly lucky to be passionate about my ‘product’, if you will – which supports the local art ecosystem, enables artists from the region to develop their careers, is a vehicle for research about artists from our part of the world and connects me with cultural professionals from all over.
      Under your directorship, how has the fair evolved since its inception and how do you aim to steer the fair’s future direction?
      The fair has expanded since I joined in 2016, from 37 galleries participating at the time to more than 100 galleries participating this year. The growth in gallery numbers can be attributed to several factors, not least the growth in the number of collectors, the opening of museums on Saadiyat Island with their attendant collections and the announcement of future museums opening soon. However, one of the ways in which I have helped drive the increase in gallery numbers, is by introducing gallery focus sectors (curated sectors for gallery participants) which has enabled us to work with many new galleries on different concepts for the fair.
      I have also launched numerous initiatives for the programming of Abu Dhabi Art which you could consider passion projects – including Beyond Emerging Artists, for which three emerging artists from the UAE are commissioned to create new works with the support of a guest curator each year. Their works are exhibited both at Abu Dhabi Art and internationally afterwards. There are so many incredible young artists in the UAE and this programme has enabled me to work closely with a growing number of them.
      Another initiative I launched is artist commissions in cultural sites, which invites three artists to create site-specific works in cultural sites across the emirate. I have also worked with several guest curators for Gateway each year (an exhibition programme that existed when I joined but that I expanded through the participation of different curators, each contributing with new research and transforming the fair into a site for knowledge production).
      In terms of Education programmes, I would point to the annual Student Pavilion Prize and the Art + Tech programme across universities amongst other new initiatives, which expand our offering for students. In terms of where I hope the fair will go, as long as it continues serving the local art eco-system and being a site for knowledge production, I am happy.
      What sets it apart from the rest of the art fairs globally? How do you strategize the fair’s offerings in order to create a regional identity?
      Most fairs globally are organised by commercial entities that need to turn a significant profit from the event each year. Abu Dhabi Art is organised by the Department of Culture and Tourism – Abu Dhabi. This gives us a wider mandate – we need to be efficient and responsible with funds spent, but our goal is to support and drive the local and regional art market, more than to turn a profit ourselves. As a result, we can invest in programmes, book publications or exhibitions that are non-commercial but instead drive an investment in our eco-system.
      To you, what role does Abu Dhabi Art play in the wider cultural landscape?
      The fair is a platform for local and regional arts professionals, a springboard from which to extend their networks globally and engage global audiences. It is also a gathering of the community, to exchange ideas and research, to view what artists have been working on, to discuss new ideas. As with any major event in a city, finding a moment to bring professional peers together is as much about creating a critical mass from which new possibilities spin out, as it is about taking time to apprehend or assess what has been happening up to that point, in our case in the cultural landscape specifically.
      Left: Dyala Nusseibeh, Fair Director at Abu Dhabi Art; Right: Agustín Cárdenas (1927-2001), Untitled, Almine Rech (Images: Supplied)
      How do you think your early experiences of art have shaped your vision as a Fair Director?
      My earliest experiences of art (other than growing up in a home surrounded by art) would be our summer family Grand Tours of Europe when the UAE heated up July – meaning road trips across Spain, France and Italy visiting all the great museums and spending hours wandering through them as an impressionable child. Part of the enjoyment I take from working on Abu Dhabi Art is that I can learn on the job from the guest curators who contribute each year to the fair and who have included Maya Allison, Hamad Nasar, Sam Bardaouil and Till Fellrath, Morad Montazami, Simon Njami, Jerome Sans, Nicolas Bourriaud amongst others – a constellation of great curators who have taught me different ideas through their contributions.
      What are some of the biggest shifts in the art space throughout the past five years – have any of those changed the way you approach when working on the fair?
      I think we are seeing far more recognition for artists from the region, both modern artists and contemporary ones, in relation to the contexts from which they were working. As a fair we support independent research and take ownership of our own art histories from the region, sharing that information both among our own communities or societies but also in new geographies. Rather than framing these art histories in relation to Euro-American canons, which was a starting point in the past, we consider the importance or significance of modern artists and movements from the region as something distinct – however networked with global counterparts in Europe or America. Our Gateway exhibition this year goes one step further, and moving away from Centre-Periphery frameworks. This new approach for research will be long-lasting.
      Alia Farid Installation, BLIND DATE 2.0, 2024, Sfeir-Semler Karantina, Beirut, Lebanon (Image: Supplied)
      How do you discover creatives and galleries you’d like to work with?
      A lot through visiting fairs, biennales, artist studios, also through reading around the subject.
      What are you looking forward to this year – any highlight that you’re personally excited to see?
      So many! Our Beyond Emerging Artists this year, Dina Nazmi Khorchid, Fatma Al Ali and Simrin Mehra Agarwal are phenomenal, and they have worked closely with guest curator Galleria Continua on their soon to be revealed exhibition works. Our commissioned artists in Al Ain cultural sites, Manal Mahamid, Ahmed Al Areef and Dina Mattar are collaborating on an exhibition centered around the idea of the indigenous gazelle. Our co-curators for Gateway, Odessa Warren and Carine Harmand are curating the exhibition Otra Orilla (Another Shore) which explores the connections between the Arab world and South America as mentioned earlier. Participating artists for this exhibition including Emilia Estrada, Alia Farid, Francisca Khamis Giacoman, and Ishtar Yasin Gutiérrez, as well as a new commission by Mandy El-Sayegh.
      On the gallery side, I look forward to our new focus sectors that include Something Bold, Something New, a spotlight on modern artists from the region; The Collectors Salon bringing together galleries presenting artifacts, historical objects, manuscripts and artworks in a first time ever for Abu Dhabi Art, and Silk Road: Drifting Identities bringing together galleries and artists from Central Asia and the Caucasus.

      Ali Cha’aban, Metamorphosis, Leila Heller Gallery

      How do you deal with push backs when launching a new initiative?
      Pivot and keep going or dig my heels in – depends how far I think persistence will get me! A friend recently forwarded me an article on stoicism, made simple by author Ryan Holiday who explains “The faster you can get to acceptance, the faster you can get to a solution or the learning of a lesson.” I try to accept any major roadblocks and work around them or rejig them, if a new initiative isn’t quite getting through.
      How do you remain open-minded and interested in seeing the next thing?
      If it is an area you are genuinely interested in, it doesn’t take much effort. But I suppose you could say its cumulative rather than detractive – a bit like learning to read. After the excitement of seeing new words take shape and forma sentence, you then progress to chapters or stories and that keeps you going.
      To book tickets, visit abudhabiart.ae
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
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      Downtown Design Director’s last-minute guide to Editions, Dubai 2024

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      Life

      by Camille Macawili
      1 min ago

      Looking for some cultural serving to add to your weekend plans? Editions, Dubai – the Middle East’s first limited-edition art and design fair with a curation of works over 50 galleries, design studios, and collectives – is running until November 9, 2024.

      The inaugural fair offers a last chance to explore high-quality, limited edition works – from prints and contemporary design to photography, ceramics, and works on paper – at varied prices in the Middle East and engage with contemporary creatives. “Editions is an exciting new addition to Dubai’s cultural calendar, bringing together a vibrant line up of limited-edition design and art, that we usually do not otherwise have access to and set alongside an already successful contemporary design fair that is for both design industry and the public, is an offer that is unique and will further add shaping Dubai’s booming design scene. Editions provides a new platform for discover; collectors or first-timers, design afficionados and the culturally curious alike can uncover works from around the world, in categories that differ what those usually presented at art fairs or collective design fairs” says Mette Degn-Christensen, Director of Downtown Design.
      Here, Mette shares her can’t-miss Editions, Dubai highlights if you’re planning a last-minute visit.
      Aljoud Lootah Design Studio

      “Emirati designer, Aljoud Lootah, who will unveil a new body of work, celebrating the 10th anniversary of her d3-based studio.”
      Gulf Photo Plus

      Image: Borderline by Nadia Bseiso

      “Spearheaded by Dubai’s photography pioneer Mohammed Somji, will present Hussain AlMoosawi’s ‘Facade to Facade’, which documents the UAE’s architectural heritage, Rehaf Batniji’s portraits of Gaza fishermen, Miro Mannino’s focus on Arabian fishermen, and Nadia Bseiso’s series on the transformation of land in modern Jordan.”
      Blooker Collective
      Image: Buddha Chair by Delaram Bolourchi, Nian Architects
      “Design gallery Blooker will exhibit a collection by Nian Architects Studio that reimagines minimalist industrial components into sophisticated furniture pieces. The featured Sunrise Chair for example is a sculptural piece that embodies the majestic beauty of the dawn. Lacquered wood and brass colours blend with the fabric with this piece, evoking the gentle arc of the sun and shades of the sky at sunset.”
      Hestia Gallery

      “Elsa Foulon who embraces the unpredictability of fire in shaping her large organic lights, presented by Hestia Gallery”
      SANATORIUM
      “Çağla Köseoğulları solo booth will be exhibiting works that are part of her Sky, Earth and Ten Thousand Things Series that consist of block printing ink on paper. In her work, the artist focuses on on social and psychological landscapes, the natural environment and its animate and inanimate parts by establishing relationships with the concepts of space and memory. She’s interested in how the things she sees, perceives and feels in her private world, in the course of the daily flow of life and in the face of social events are transformed into a form on paper. The artist becomes acquainted with the medium, discovers the surface and looks for answers to her questions each time when she is solving a problem.”
      For tickets, visit editionsartanddesign.com
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      Featured Images: Instagram @editionsartanddesign More

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      10 fabulous activities to do in the UAE this weekend

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      Your ultimate weekend guide in Dubai, October 24 to October 26, 2024.
      Sushi in the sand dunes

      Zuma is bringing its world-renowned Japanese izakaya experience to the Al Wadi desert this winter. Located within the Ritz-Carlton Ras Al Khaimah, the pop-up will offer guests the opportunity to dine under the stars while enjoying signature dishes like miso marinated black cod and wagyu sirloin tataki. The menu also features a variety of sushi, sashimi, and bespoke tasting menus. To complement the dining experience, Zuma will offer innovative cocktails, exquisite drinks, and the energetic sounds of a live DJ. The pop-up will be open daily from October 25, 6pm, and reservations can be made through the Zuma or Ritz-Carlton website.
      For more information, visit Zuma website or Ritz Carlton website
      Savour this delicious sweet treat

      This indulgent fusion of chocolate, kunafa, and pistachio is taking the city by storm and promises to be the next big thing on L’ETO’s incredible dessert menu. It’s a mix of chocolate, kunafa, and pistachio is taking the city by storm and promises to be the next big thing on L’ETO’s incredible dessert menu. It’s available at all L’ETO locations across the UAE, the Dubai Cheesecake can also be ordered as a full cake, serving up to 12 people, with 24 hours’ notice. It’s priced at Dhs675.
      For more information visit letocaffe.com
      Indulge in some sushi

      Sal’s Bistro is an easy-going French Bistro concept created by Father and Son, Joe & Jason Bassili. This area offers a charming lakeside setting for you to enjoy fresh and healthy home-style cuisine in a tranquil environment. The restaurant boasts a diverse menu that caters to a wide range of palates, featuring their Award-Winning “Le Fumoir by Joe Bassili” smoked salmon. This one-of-a-kind eatery is Nestled against the serene backdrop of the picturesque lake at Jumeirah Islands Pavilio Nestled against the serene backdrop of the picturesque lake at Jumeirah Islands Pavilion.
      See a private art collection

      Presented at The Arts Club, this new exhibition entitled “Where Gesture Meets Story – recent art from the Yes Collection” spans two floors of curated modern and contemporary art works, all selected with passion and intellectual curiosity by Dubai-based collector Charles Al Sidaoui from Yes Collection. This showcase follows two themes, ‘Rethinking the Figure’ on the first floor and ‘Contemporary Abstraction’ on the second floor. As part of The Arts Club’s bi-annual exhibit, this ongoing series shines a light on the important private collections from the Middle East.
      For non members, email rsvp@theartsclub.ae to view the show
      Book an alfresco dining spot

      With the weather finally cooling down, it’s time, to see the best spots that the country has, for us to visit over the weekend. The emirate offers many fantastic options for outdoor dining, especially during the cooler months. From beach clubs to sky-high restaurants, each venue ensures scintillating views of Dubai’s skyline accompanied by a delectable menu crafted to perfection. From a canal-side meal to an under-the-radar spot you might not have heard of, Dubai has it all. Ensuring you take complete advantage of the city’s skylines and weather, here’s where you should dine alfresco this season. Here are some excellent places where you can enjoy a meal outdoors with stunning views. Scroll through our tried-and-tested Emirates Woman guide of where to visit.
      Stay active in style

      New Balance is hosting a special event at Feels Café on Kite Beach from October 25th to November 2nd. As part of their Run Your Way initiative, visitors can enjoy a unique fitness experience with the ocean as their backdrop. The event coincides with the Dubai Fitness Challenge and offers participants the chance to get in shape while sipping on a limited-edition Fresh Foam-inspired smoothie made with natural blue spirulina. This refreshing beverage perfectly complements the all-new Fresh Foam x 1080v14 running shoes, creating the ultimate fitness-meets-refreshment combo. Don’t miss out on this exciting opportunity this weekend to stay active and enjoy the beautiful Dubai coastline.
      Unwind at this beach lounge

      Sunset 55° is an enchanting beach lounge inspired by the adventurous spirit of the 1950s and the carefree vibes of Bohemian culture. Nestled on the pristine beachfront of the luxurious resort, Sunset 55° beckons wanderers, dreamers, and lovers of life to embark on an evening of relaxation and carefree vibes while enjoying one of the best sunsets Dubai has to offer. It’s open daily from 5PM to 11:30PM, and is more than just a beach lounge; it is a destination where the exquisite views, delectable bar bites, and the natural beauty of the Palm Jumeirah unite to create an unforgettable experience and ending to your weekend. From the moment you step foot on the sandy beach, you’ll be transported to a realm of driftwood decor and vibrant tapestries that celebrate the free-spirited spirit. Located in Waldorf Astoria The Palm, this spot is a must-visit.
      For more information visit hilton.com
      Go on a detox

      By revitalising the wellness landscape since its launch in 2014, Go Organic is known and loved for its innovative detox programmes. The brand’s holistic approach revolves around natural weight loss, restored energy, and a plant-based lifestyle. Their innovative plant-based detox programs are helping clients achieve impressive results, including losing 5kgs in just 20 days. This weekend, try the Ayurvedic Purify Cleanse that starts at Dhs199, or you can try the other cleanses that vary up to Dhs999.
      For more information about Go Organic and its programmes, visit goorganic.me
      Book some dopamine beauty services in Dubai

      With the expertise of Sisters’ award-winning stylists, women can choose a look that enhances their confidence and complements their personality. The #DopamineBeauty experience is supported by an expert consultation where each guest collaborates with their stylist to ‘describe their vibe’ that best suits their desired mood and personality. Designed to inspire women to embrace the transformative power of a fresh cut or color, the campaign encourages guests to explore how changing their hair can elevate their emotions, boost confidence, and express their inner strength. Any customer can choose a look that enhances their confidence, complements their personality, and boosts their mood—whether that’s a vibrant color refresh, sleek layers, or a bold new cut. The salons have various branches across the UAE including Mall of The Emirates, JBR, City Walk and more.
      For more information visit sistersbeautylounge.com
      Immerse yourself in a contemporary art experience

      For a taste of a contemporary art experience, head to coffee hotspot Koncrete. Located in Jumeirah, this homegrown concept, founded by Himyan Al Qubaisi, is not only a space to enjoy your caffeine fix but is also a creative hub that blends culture, design, and community.
      On current display is an exciting art showcase curated by art collector and founders of the Pinkum Collection, Margo and Jordan Castro. Running until end of November, this exhibition features international artists such as Bibi Lei, Felix Treadwell, and Ryu Ju Young, each marking their debut in the UAE. This collaboration offers the public a fresh way to immerse in the art world in a laidback and social setting as you enjoy a cup of matcha or espresso.
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      Images: Supplied & Feature Image: Instagram @tialineker More

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      Louvre Abu Dhabi on creating experiences that resonate with the regional community

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      Life

      by Camille Macawili
      13 seconds ago

      Alia Al Shamsi, Cultural Programming Manager at Louvre Abu Dhabi, discusses pioneering and curating an expansive and engaging view of the art world and creating experiences that resonate with the regional and international community.
      What do the first 30 minutes of your day look like, your morning routine?
      This has been a struggle to answer as much as it was also a realisation, that I have no routine! There are days the snooze button is my best friend, while other times it’s waking up to the scratching noise of the dogs wanting to be let out, or rush to ensure my son is up in time for breakfast before school. But I can tell you the most heavenly 1 minute of that 30-minute chaos is coffee.
      What inspired you to enter the art space?
      I’ve always known that my path would lead me to the arts, but the journey to my specific role in this museum is quite special. Fifteen years ago, as a Masters student writing my thesis, I researched into the concept of the Louvre Abu Dhabi and pondered how an iconic Parisian museum could meaningfully contribute to the UAE and the region’s arts and culture landscape. Now, approximately seven years after the opening and as I reflect on my journey, I find that I can not only answer that question – central to my thesis – but I’ve also had the privilege of playing an active role in shaping its impact.
      Louvre is a world-class cultural beacon. How does it feel to be a part of an institution with such a rich and storied heritage and how have you seen it evolve from strength to strength?
      I travelled to see and study art, it’s a dream to be able to work in this field and to have unlimited access to works of art I studied and to be able to be part and contribute to a world and universal narrative. The strength we see is for all the passionate employees and visitors who continue the story of humanity whether being the source of inspiration on one that tells the story.
      As the Cultural Programming Manager, what do you aim to achieve and what are the initiatives that are currently driving this?
      To play a key role in the cultural conversation and witness our programme premieres making their mark on the global stage, contributing to the international cultural landscape.
      Curators’ Talk – Cartier, Islamic Inspiration and Modern Design at Louvre Abu Dhabi
      How do you balance the support for the local cultural landscape while inviting a global outlook?
      The core of our Cultural Program lies in encouraging cultural dialogues, through public experiences such as film screenings, talks, dance performances, and music events. By bringing together global and local talents, we foster experiences of both and spotlight our shared humanity, celebrating the connections that unite us all.
      What are the significant changes you’ve observed in the way Middle Eastern art and culture are perceived globally?
      It’s truly an exhilarating time to be part of the arts and culture scene in our region, with the Saadiyat Cultural District, and its upcoming openings of world-class museums the promise is not only to enrich our local community but with a mission to impact the global stage of arts and culture. These cultural landmarks will proudly showcase and celebrate humanity’s artistic and cultural achievements, putting our region at the forefront of contributing to the global art and cultural dialogue.
      What has been the most pivotal moment of your career so far?
      At an international conference, I approached the museum director of one of the world’s most important institutions to introduce myself. To my surprise, he responded, “You don’t need to introduce yourself. We’re all familiar with your impressive achievements at the Louvre Abu Dhabi.” As an Emirati, Arab, Muslim woman, this recognition wasn’t just a personal achievement – it was a significant moment of pride and a testament to representing my nation on the global stage of arts and culture.

      Alternatively, what have been the challenges and how did you overcome them?
      I smile as I weigh the terms “budget cuts” against “becoming sustainable.” This challenge is not unique to me; we’ve all seen how the art and culture world struggled during COVID, with global funds running dry. However, this difficulty has prompted a shift towards sustainable thinking. The key lesson has been the power of partnership and collaboration with other institutions and entities. Not only have these collaborations brought fresh perspectives and enriched our programmes, but they’ve also allowed our team to gain new skills from one another. The ecosystem now feels more interconnected, and having col- leagues across various institutions creates a collective effort to enhance the arts and culture in the UAE and the region. Instead of working in isolation, we’re seizing opportunities for meaningful collaboration.
      How do you hope to leave a lasting footprint on the arts and culture scene?
      The true legacy I leave behind is my incredible team and the platform we’ve built to help local talent launch their careers. This country and its people have generously offered me countless opportunities, and my deepest hope is to pass that generosity forward, nurturing and supporting the next generation of talent.

      Are there any upcoming exhibitions or activations that you’re excited about or proud of this year?
      I am incredibly excited for the upcoming season, which will introduce a range of new experiences including the launch of a Culinary Secret Dinners inspired by our opening exhibition, Post Impressionism: Beyond Appearances. Then, following the success of Masquerave featuring Peggy Gou, we’re thrilled to announce its return with a fresh theme and a new DJ, perfectly aligned with our 2025 exhibition, Kings & Queens of Africa: Forms and Figures of Power.
      How do you make time for yourself after a long day?
      Whether it’s helping with homework, going for a bike ride, or watching a retro classic together (currently Monk), I truly cherish these moments with my son. After the lights go out, I unwind with some journaling, reading, yoga, and meditation.
      This is The Visionary Issue – how do you see your role in creating and promoting Middle Eastern artists on an international stage evolving in the future?
      I envision my role evolving into a catalyst for enhancing the global presence of Middle Eastern artists. My focus will be on creating more opportunities for collaboration and exposure on an international scale. This means not only promoting their work but also building bridges between local and global platforms. By doing so, I aim to ensure that the rich and diverse artistic expressions of the Middle East are recognised worldwide, contributing to a more inclusive and dynamic global cultural landscape.
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      September’s – The Visionary Issue – Download Now
      Images: Supplied More

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      The Tastemaker’s Take: Nat Morcos’ guide to exploring Mexico City in style

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      Creative and entrepreneur, Nat Morcos, shares her quick-fire recommendations for architecture, culture, and gastronomy that showcase Mexico City at its best and finest.

      For a stylish stay“Soho House Mexico City – a newly opened outpost is absolutely breathtaking. It has only four rooms so if you are a member and are lucky, you can spend a couple of nights there. It’s fantastic for people watching by the pool on weekends or evening cocktails with friends around its multiple indoor and outdoor bars.”
      Soho House Mexico CIty (Image: Supplied / Fernando Marroquin)

      For a lavish stay
      “Four Seasons Mexico City is the epitome of classic 5-star luxury, the hacienda-style property has a beautiful garden and excellent spa. It is located right in the busiest part of Reforma and in front of magical Chapultepec Park, where all major museums are located.”
      Four Seasons Mexico City (Image: Supplied)
      For an authentic stay
      “For design-oriented boutique style hospitality institutions choose La Valise Hotel, Brick Hotel, Pug Seal Anatole France, Nima Local House, or my favourite Casa Izeba.”
      La Valise (Image: Supplied / Nolan Burger)
      WHERE TO EXPLORE
      For once-in-a-life- time experiences
      Museo Frida Kahlo, Floating Gardens of Xochimilco, and Pyramids of Teotihuacan
      “The best way to see and experience the Pyramid of Teotihuacan is via hot air balloon.”
      Teotihuacan Pyramids (Image: Unsplash); Museo Casa Estudio Diego Rivera y Frida Kahlo (Image: La Valise / Leandro Bulzzano)

      For the culture mavens
      Roma Condesa and Polanco art galleries, Soumaya, Tamayo, Museo Jumex and Anthropology Museum, Fundacion Casa Wabi Sabino, and Casa Gilardi
      “Casa Gilardi is the last house designed by Louis Barragan – book an appointment in advance!”
      Casa Gilardi (Image: Supplied / Nat Morcos)
      For hidden city gems
      Kurimanzutto Gallery, Tlacuilo Library, Jamaica Flower Market, Pastelería Ideal, Tetetlan, and Chic by Accident
      “Make sure to book an appointment before you visit Chic by Accident – it’s an incredible shoppable design gallery.”
      Chic by Accident Gallery (Image: Supplied / Marie Taillefer)
      WHERE TO DINE

      For Mexican delicatessen
      Orinoco Taqueria, Passilo de Humo, Churreria El Moro, Pujol
      “You need to book a few weeks ahead to secure a reservation at Michelin-Star restaurant Pujol – the hottest table in CDMX.”

      For design-led Mexican fusion
      Rosetta, Meroma, Maximo Bistrot, and Taverna
      “Taverna is a must on the agenda for its breathtaking design.”

      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      July/August’s – The Summer Escape Issue with MAISWIM – Download Now
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      13 hotspots to check out for a chic summer escape

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      Life

      by Camille Macawili
      8 seconds ago

      VIEW GALLERY/ 13 IMAGES
      Summer is high season to give you a chance to explore the hotspots far and away.
      Don’t know where to go? If you’ve been out of the loop and this question fills you with dread, you don’t have to fret. Emirates Woman have curated a tasteful edit of the latest and greatest must-see and must-do for all the different kinds of wanderlust that are worth making time for in your hard-earned annual leave.
      From places with a focus on gastronomy to those filled with character, here’s how and where to stay, dine, and spend all your summer days.
      Tap the gallery above to discover the edit.
      – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
      July/August’s – The Summer Escape Issue with MAISWIM – Download Now More

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      In the office with Nat Morcos, co-founder of SKOONI Arts Foundation & Residence

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      Lifeby Camille Macawili2 hours ago VIEW GALLERY/ 6 IMAGESIn the office with Nat Morcos, creative, entrepreneur, and co-founder of multidisciplinary luxury brand Goshá and SKOONI Arts Foundation & Residence.How long have you been in this space?SKOONI was renovated within five months and opened its door in October 2023.Have you custom-built any bespoke pieces?We completely redesigned an old villa.How do you think the interior reflects you?I love minimalism with focus on proportions, material and symmetry… I dress the same way.Describe your taste in three words.Elegant, luxurious with a touch of unexpected artistic exploration.– For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and InstagramMay’s – The Creativity Issue with Tiffany & Co. – Download NowPhotography by Ahmed Abdelwahab More