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    Artist Lauren Baker on creating a captivating installation for Kintsugi Space

    Discover the transformative power of Kintsugi Space, Abu Dhabi’s pioneering women-only sanctuary, where renowned wellness practitioners and artists converge to celebrate the art of healing and renewal, highlighted by Lauren Baker’s captivating installation. In an exclusive interview with Emirates Woman, Lauren discusses the captivating installation “Letter From The Universe” in depth. What do the first 30 minutes of your day look like, your morning routine? The first 30 minutes of my day is a sacred ritual. A mindful start serves as the foundation for the creative energies that will unfold throughout the day. I often start with drinking my greens supplements and a brief meditation. Then I take myPomeranian puppy called PomPom, with an Earl Grey tea, for a short stroll. Being with nature gives me so much inspiration and grounding. I do a few yoga stretches and some Kundalini breathing and then I enjoy a blast of cold before a warm showeram then on my way to the studio. The reality is that this doesn’t happen every day as my work can be all-consuming with longhours, yet I aim to maintain my ideal routine as best I can – it’s the little things that make life beautiful. Can you talk us through your career journey? My early years were marked by a fascination with the interplay of light and shadow, and the intricate dance of energy that permeates our existence. My degree is in Business, Psychology and Sociology, then as soon as I had the epiphany that I was an artist (whilst in the Amazon jungle) I did an intensive master’s in mosaics in 2011 and then studied Site Specific Sculpture in 2017. However, it was during my travels around the world in which I was inspired by diverse cultures, spiritual practises, and the natural world, I began to infuse my work with a sense of transcendence and interconnectedness. My art became a conduit for exploring the invisible threads that bind us all. Some highlights include exhibiting at the most prestigious institutions including the Tate Modern, V+A, and Tate Britain. As my portfolio grew, so did the recognition of my work on a global scale. My most meaningful work was my first ‘Letter To Mother Earth’ at Tate Modern, which involved a ten-metre letter as an open apology to nature on behalf of humanity. I was commissioned to create two large-scale public installations in the UNESCO-protected desert in AlUla, Saudi Arabia inspired by the Sun and the Moon, and the most exciting to date is the recent 25-metre ‘Letter From The Universe’ at Kintsugi Space in Abu Dhabi. The 25-metre letter sculpture at Kintsugi is truly inspiring. Can you share more about the creative process? The initial spark of inspiration emerged from the concept of being one with the universe and receiving a message from a higher realm of consciousness. I meditated and wrote a special letter and recorded the frequency of my voice into sound waves, before creating the sculpture and, painstakingly, painting gold sound waves across both sides of the 25-metre letter, over a period of a year. The installation involved slowly pulling the letter up using a winch system, traversing seven staircases. The moments of securing the sculpture to the ceiling, 25 metres up on elaborate scaffolding, were intense. I was in the zone with my team and Donna from Studio Feel, and I forgot to breathe at that point, letting out a sigh of relief as it went perfectly to plan. It was worth the challenge to see the piece suspended and I took delight in seeing the 360-degree views that the staircase provides. It has a feeling of infinity as you gaze to appreciate it cascading all the way to the floor. The activation of energies from the seven chakras and the focus on inner peace are intriguing aspects of your sculpture. Could you elaborate on this? The content of the letter is an activation of the energies of the seven chakras and our collective higher purpose of harnessing inner peace, as well as inspiring peace within the world. Our first responsibility is to seek peace within ourselves, then we offer it to others. The letter was created as an activation to cultivate mindfulness, balance, gratitude, happiness, inspiration and ultimately peace. Universal frequencies contained within the letter form an energetic code, exploring energies from the seven chakras and expressing the internal journey that can lead one to fulfilment, peace and light. How did you ensure that your artwork resonated with Kintsugi’s values and the overall vision for the holistic space? Creating artwork for Kintsugi Space, with its deep commitment to wellbeing, spirituality, and aesthetic harmony, was a profoundly enriching experience. The installation needed to seamlessly integrate with the spa’s ambience. I drew inspiration from the spa’s design elements, such as the use of natural materials, soothing colour palettes, and minimalist yet elegant aesthetics. In terms of wellbeing, my artwork became an extension of Kintsugi’s commitment to nurturing the mind, body, and soul. The calm colours and flowing gold text create a visual sanctuary within the space. The piece was designed as a catalyst for relaxation and introspection, contributing to the overall wellbeing experience of the visitors. With its spiritual abstract message and its enormity in scale, the artwork aims to evoke a sense of transcendence and connection to a higher, more profound dimension. Your artistic practice explores symbolism, higher realms of consciousness, and nature. How do these themes play a role in shaping this installation? Sound wave symbolism formed the core of the installation, transforming the large letter into a vessel of meaning. As a symbol of communication, the letter became a channel for a profound conversation, expressing universal messages and interconnected energies. It wove a story that went beyond its literal form, inviting viewers to engage with the cosmic language it held. Inspired by higher realms of consciousness, the installation aimed to provide a transcendent experience. The immense size of the letter sought to create a feeling of expansiveness, urging viewers to look beyond the ordinary and connect with their higher consciousness. The design of the letter incorporated natural forms and textures, mirroring patterns found in the natural world. The 25-metre letter metaphorically served as a gateway, encouraging individuals to transcend their immediate surroundings and connect with the vast universe. Collaborating with Studio Feel adds another layer to the project. Could you share more about this? Donna Tzelepis, the visionary behind Studio Feel, has been an absolute joy to work with. Her passion for art and dedicationto curating a space that speaks to the soul is infectious. The unique approach of focusing on women-only artists brings a distinct perspective to the project. It’s a celebration of the diverse voices, stories, and artistic expressions that women bring to the table. This intentional curation not only fosters a sense of inclusivity but also adds a layer of empowerment to the overall narrative of the installation. With both Kintsugi, Studio Feel and I had a beautiful alignment of visions. The two-year timeline of the project speaks to the commitment and dedication invested in its realisation. Creating site-specific art at 25 metres above the ground involves a lot of health safety and preparation so the collaborative journey becomes an integral part of the artistic process. The commissioned artwork aims to cultivate mindfulness, balance, gratitude, happiness, inspiration, and peace. How do you envision visitors experiencing this? Envisioning how visitors will experience and interact with the piece involves creating a multi-sensory journey. The sheer scale of the 25-metre letter draws attention, immediately prompting a sense of mindfulness, encouraging viewers to be present at the moment. The symbolism within the letter, coupled with the curated soundscape of my voice revealing the message, infuses the space with an aura of gratitude and joy. The message is an invitation for visitors to embark on an inward journey. The soundscape reveals a message of truth and higher purpose, and acts as a meditative anchor, envelopingthe space with a sense of peace. The installation invites introspection and connection with a higher purpose. Each visitor becomes an active participant in this experience, finding moments of reflection, inspiration, and connection within the layers of messages in “Letter From The Universe”. Kintsugi Space embraces imperfections, believing they lead to strength, beauty, and resilience. How does your artwork embody or reflect these values? The powerful message within the artwork aligns with Kintsugi’s philosophy, emphasising the transformative nature of imperfection. References to the “energetic code” and “internal journeying” support the idea that imperfections can bring about positive change. The mention of one’s “personal map” recognises life’s imperfect paths, turning them into valuable lessons. Inviting chakra energy centres to unravel symbolises releasing imperfections, aligning with the spa’s belief in inner harmony. The idea of spiralling in a dance with the divine suggests imperfections are essential elements in the journey to alignment. “Letter From The Universe” embodies Kintsugi values, portraying imperfections as a source of transformation and enlightenment. This is The Authenticity Issue – what does being authentic mean to you? As an artist working on themes of symbolism, spirituality and the higher realms of consciousness, in the public eye, being authentic is important. It involves a willingness to be vulnerable and open about my creative process, inspirations, and the challenges faced along the way. It involves staying true to the essence of the themes explored, even when faced with external expectations or trends. Authenticity acknowledges that the artistic journey, like life, is imperfect. It involves an ongoing commitment to self-discovery, vulnerability, and the sincere expression of profound themes. It involves embracing the ebb and flow of creativity, acknowledging mistakes, and finding beauty in the imperfections. – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram Images: Supplied More

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    How I got my job as… Specialist in Middle Eastern 20th and 21st century art

    Welcome to the Emirates Woman weekly series ‘How I got my job as…’ where we speak to some incredible entrepreneurs and businesswomen both based in the UAE and globally to find out about their career paths that led them to where they are now; what their daily routines look like; the advice they’d give to those starting out; and the hurdles they’ve had to overcome.
    This week, we’re putting the spotlight on Suzy Sikorski, Specialist at Middle Eastern 20th and 21st Century Art at Christie’s. Here, the New York native shares her early interests in the art world, what drives her main passion, and what it takes to raise up incredible talents with the aim of seeing Middle Eastern art flourish – regionally and internationally.
    What was your favourite subject at school?
    As a young child – totally science! I was a chemistry nerd and grew up with my aunt and uncle’s medical books. I’d even read and draw over them during breaks at school – much like artist Basquiat (Jean-Michel Basquiat) read Grey’s Anatomy books as a child.
    What was your first job?
    My first official job was actually Christie’s – as a Junior Art Specialist. I had plenty of internships across real estate, luxury and art sectors, but my first ‘real’ job was at Christie’s.
    Other internships included art advisor at Kim Heirston (Kim Heirston Art Advisory, New York) throughout most of college followed by Ayyam Gallery in Dubai.
    What eventually brought you to Dubai?
    In 2014, I was an exchange student at the American University of Sharjah. It was a crazy first trip moving so far away from my home and family in New York at the time. Further to that, I received a Fulbright Scholarship in 2016-2017 that paved the way for my official move to Dubai. Following the completion of my scholarship, I was fortunate to start at Christie’s as a Junior Specialist in 2017.

    What inspired you to enter the art space?
    I have an uncle who lives in New York who worked at Dolce & Gabbana for over 20 years, and is now with Alexander McQueen. Early on in my career he connected me with many creative individuals in the art, fashion and real estate sectors. I had the opportunity to work with powerhouse women straight out of high school and post college who introduced me to the luxury lifestyle sector.
    I always had a great interest in the Middle East, so during my time in New York I would actively search every bookstore and gallery to track down art magazines to read up on the Middle Eastern art scene. Whilst at University I also wrote and contributed articles on art exhibitions and artist reviews, and also published Middle Eastern artist biographies in Oxford University Press’ Benezit Dictionary of Artists. I mapped out all the regional artists living in the United States of America and made studio visits.
    In 2016, I also was part of the team launching GENERA#ION: Contemporary Art from Saudi Arabia exhibition in Minnesota Street Project, San Francisco, as supported by the King Abdulaziz Centre for World Culture (iThra) – which represented the first exhibition of contemporary art from KSA in the Bay Area.
    I then assisted galleries at Art Dubai and at Abu Dhabi Art which helped me connect within the art eco-system in the UAE and beyond. This was an invaluable opportunity to network and meet artists, gallerists, collectors, art lovers and creatives from around the world.
    Talk us through the concept of “Mid East Art”?
    Mid East Art is a digital storytelling platform across the art and culture eco-system of the Middle East region, founded and run by me. MEA acts as both an archival reference that documents and analyses the regional Middle Eastern modern and contemporary art scenes through in-person public and private storytelling initiatives, alongside curated digital art production. Its interviews and curatorial content is displayed, showcased in essays, video and text interviews, and as published articles on mideastart.com and on Instagram.

    The inception of MEA began after I completed my Fulbright Scholarship, awarded after my thesis on Hassan Sharif – my Fulbright focus covered artist video and text interviews of three generations of UAE art history. Mid-East Art is powered by community driven events, largely made in part from its Storytelling Sunday gatherings (interpreted and directed as performance) that ran from Autumn 2022 to Summer 2023. Past activations have included one day exhibitions, performance re-enactments, manifesto readings, exhibition walkthroughs in modern and contemporary galleries and museums, artist studio visits, each week directed and led by a different Storyteller as expert within the specific topic that allows a wider perspective on art: across music, dance, literature, cuisine, sports, among others.
    What are the key elements of your role?
    My role is multi-faceted and no two days are the same. I work to support raise awareness of art and artists across the Middle East to our international clients and to our Christies, international specialists. There is so much storytelling to expand upon and share the breadth and diversity of the regional art scene. Alongside building the regional Middle Eastern Art auctions, I also support a focus on integrating Middle Eastern modern and contemporary art into the Christie’s international 20th & 21st Century art sales, and private selling exhibitions to further build the market, especially for those Arab artists highly sought after by international clients.
    Talk us through your daily routine.
    As Specialist in Modern & Contemporary Art, my main focus is on securing top level Modern & Contemporary Middle Eastern Art for sale; this consists of consigning works for auction and private sales; continuing to expand my art expertise and fostering top level client relationships in the Middle East.

    My daily schedule includes meeting with clients to discuss valuations for auctions, private sales and strategic partnerships, that integrate both international and regional art. In addition to many messages and responses to clients internationally that I keep up with across time zones.
    Auctions of Modern and Contemporary Art take place globally and we have clients in the Middle East actively bidding and buying, so it’s important to set up the bidding support channels for them, and review the catalogue for each sale aligned with our clients preferences or collections.
    I travel across the GCC and beyond regularly visiting clients for object and/or art collection valuations and also attending art fairs and institutional shows for building client relationships and continuing to deepen my art expertise in the region.
    What advice do you have for anyone looking to follow in the same footsteps?
    I would take time to visit artist studios, regularly visit galleries and art auctions to gain a sense of the market as well as developing your own knowledge. I recommend placing yourself in the client or collector’s shoes to view the market as they would. Ask yourself what is it that they are looking for? What shapes their preferences? By doing this it supports craft a better understanding of what your clients are looking for as well as ensuring to continue to learn at every possibility.
    What is the best piece of advice you ever received?
    Never stop learning – no matter what stage of your career
    And what is the worst?
    Follow money over passion – no way!
    What has been the biggest challenge you had to overcome?
    I am an art specialist with over 10 years of expertise and experience both in the Middle East region as well as in Middle Eastern art. However, I do not have Middle Eastern roots or ethnicity. I come from an American family in Long Island, New York State, USA. It took time for me to establish myself in this market with clients and also within the wider art eco system in the Middle East. I overcame this by being able to demonstrate my expertise – whether in our auctions and via private sales, or advising clients and being able to share my knowledge. I also found that Mid East Art has opened doors. From producing digital mashups that started to mix American music, film, literature and other pop cultural references helped me start to connect more deeply with art.
    What are your future goals and plans for your career?
    I wish to continue expanding the Middle Eastern art market, across our regional sales, and also across our top level global Evening and Day sales of Modern and Contemporary Art whilst also continuing to expand Mid East Art storytelling initiatives at all levels: across regions, age groups and educational sectors. I would also like to encourage more females to enter the art market from the Middle East and continue to be a champion of female Arab artists.
    – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
    Images: Supplied More

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    Art Dubai 2024: When, where and everything else to know

    Life by Ruman Baig 10 mins ago As Dubai continues to solidify its position as a vibrant cultural hub, anticipation mounts for the upcoming 17th edition of Art Dubai. Set against the stunning backdrop of Madinat Jumeirah, this prestigious event promises an immersive experience for art enthusiasts worldwide. Let’s delve into what makes Art Dubai 2024 a must-attend affair. Dates and Venue The biggest art spectacle is scheduled to captivate audiences from March 1st to 3rd, with exclusive previews on February 28th and 29th. Nestled within the opulent surroundings of Madinat Jumeirah, this iconic location sets the stage for a convergence of creativity and innovation. Diverse Presentations More than 100 contemporary, modern, and digital presentations will grace the event, representing over 60 cities and 40 countries. Notably, 21 presentations by exhibitors based in Dubai underscore the city’s burgeoning art scene. Special Highlights Art Dubai Digital returns for its third edition, showcasing groundbreaking digital art. Meanwhile, Bawwaba, meaning ‘gateway’ in Arabic, offers a curated series of solo artist presentations exploring the theme of healing. Additionally, Art Dubai Modern spotlights leading artists from the region who engaged in cultural exchanges with the Soviet Union post-1960. International perspective This year’s theme broadens the scope of the ‘Global South,’ celebrating diverse narratives and shared histories from communities worldwide. From Delhi to Guatemala City, it embraces diasporic and migrant histories, reflecting Dubai’s multicultural tapestry. Engaging Dialogues The Global Art Forum 17 will tackle pressing issues such as climate change and extinction. Esteemed speakers from various disciplines will explore solutions and initiatives over two insightful days of discussion. Experiential Offerings In addition to captivating artworks, guests can explore immersive experiences such as Piaget’s “The House of Gold” exhibition. This showcase offers a glimpse into high-end jewellery, watches, and newly commissioned artworks, enriching the cultural tapestry of Art Dubai. Art Dubai 2024 promises to be a celebration of creativity, diversity, and innovation. With its diverse array of presentations, thought-provoking discussions, and immersive experiences, this cultural extravaganza is not to be missed. Join us as we embark on a journey through the captivating realm of contemporary art in the heart of Dubai. – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram Images: Instagram: @artdubai  More

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    How I got my job as…Head of Sotheby’s UAE

    Welcome to the Emirates Woman weekly series ‘How I got my job as…’ where we speak to some incredible entrepreneurs and businesswomen both based in the UAE and globally to find out about their career paths that led them to where they are now; what their daily routines look like; the advice they’d give to those starting out; and the hurdles they’ve had to overcome. This week, we speak to Katia Nounou Boueiz, the visionary Head of Sotheby’s in the UAE since 2017. With her poignant leadership, she has transformed Dubai into a global hub for unveiling remarkable artworks and groundbreaking news, putting the city firmly on Sotheby’s map of cultural significance. In a detailed chat with Emirates Woman, Katia talks about her journey so far and how she envisions to shape the future of art in a thriving landscape like Dubai. You’ve been at the helm of Sotheby’s in the UAE since 2017, what inspired you to take on this role and contribute to Dubai’s emergence on the global arts scene? Looking back, it all came together almost as if by fate. I actually joined Sotheby’s all the way back in 2008, working in the London office but with a core focus on nurturing the new generation of collectors in the Middle East. When I married my husband in 2015, we decided to move to Dubai, and so I had to of course let management know. I certainly didn’t expect that they would turn around and offer me the chance to open Sotheby’s first office and gallery space in the Middle East (as you can imagine, it was an offer I could hardly refuse!). Shortly after, I found out I was pregnant, and nine months later, I was pregnant once again! Before I knew it, by the time the office had officially launched in 2017, I had two little ones under two, and an entire office to manage and run (my third child in a way!). It was terrifying and exhilarating all at once, and I can’t imagine it any other way. Eight years later – we are not only still here, but our team of three has expanded to eleven of us permanently on the ground in the UAE – so not only did we manage to survive, but we have also gone beyond our initial scope and feel proud to be part of the Emirates’ thriving ecosystem for the arts. Your involvement in bringing major artworks to Dubai, like the recent Picasso that sold for $139 million in New York, has been transformative. How do you approach curating and unveiling such significant pieces in the region? Dubai has long held a reputation for hosting the biggest, the best, the tallest, the most valuable… and so my strategy with which artworks and gems to travel to the doorstep of collector’s here has always partly aligned with that. Put simply, lets being the very best of the best that is on offer at our global auctions, because, why not? Standards and expectations here are high. With UAE as one of the culture capitals of the Middle East, and with the great appetite we have witnessed, it doesn’t take much convincing for the business to send us these incredible highlights. Whenever something major is about to be announced for auction at Sotheby’s, I jump on a call with the head of department or most relevant specialist, and we talk through bringing it to the UAE as part of its global travelling exhibition (or indeed, more and more, as the very first stop on the tour). When we know what it is that is coming, we plan a whole host of programming around it – from collaborations with our wonderful neighbours The Arts Club, to educational talks with our specialists and relevant spokespeople. For the most exceptional lots, we also make sure we work closely with Dubai Culture and DIFC, who have been so supportive in the past. We have been lucky enough to bring the likes of Marie-Antoinette’s pearls, artworks by Botticelli, Rubens, Picasso, Kandinsky, Boetti and Warhol, and important stones from across the rainbow, including the once-in-a-generation Estrela de Fura (a 55.22 carat ruby), the Infinite Blue and Eternal Pink diamonds, and the Enigma (the largest polished black diamond in the world at 555.55 carats). The ‘Made in the Emirates’ exhibition showcased local artists. Can you tell us more about the importance of promoting local talent and how it contributes to the cultural fabric of Dubai? The UAE is home to some amazing artists, designers, architects, jewellers, the list goes on, and we feel very lucky to be part of this ecosystem together. I myself collect works by Emirati artists, including a piece by Mohamed Ahmed Ibrahim that I am particularly fond of. Though Sotheby’s is very much a heritage company whose history goes back to 280 years, we feel very closely connected to the DNA of our particular location. We believe it is super important to promote this cultural scene and celebrate these creatives – offering them a platform (given our reach is so international) and raising awareness – as much as possible wherever we can. As well as our selling, and non-selling exhibitions, the educational side of things is also key, for example our series of public talks with collectors. Very excitingly, and something quite new for us, during Dubai Fashion week in February we have teamed up with the Arab Fashion Council and Mrs. Keepa to be the venue for the much-anticipated launch of the French-Egyptian designer’s latest line. We’ll be styling her avant-garde creations with jewellery and handbags that we are offering for private sales, so it’s all very symbiotic. We always have an exhibition during Art Dubai week too. I can’t say too much, as the details are still under wraps, but we are planning a sort of love letter to Beirut, and Lebanon more generally, as a melting pot for the arts – having been the home of, but also inspired, so many of the major artists from our region. I would love to shout out a few other homegrown talents as well: Engage101, who are a platform that study, support and exhibit young emerging Gulf artists, and Bayt AlMamzar, a great community space for artists. Beyond traditional auctions, you’ve organized charitable collaborations, including a post-explosion charity auction for Beirut. How do you see the role of the arts in contributing to charitable causes, especially during challenging times like the ones we are in? Charity auctions have always been important to Sotheby’s, as part of our ongoing dedication to giving back and our commitment to making our industries more accessible, sustainable and collaborative. Globally just this past year, we played a role in raising over $200 million for various non-profit organizations, with more than $58 million directed towards museums. From providing one of our fabulous auctioneers (whose skills on the rostrum are fully unleashed when raising bids for charity), to more full blown initiatives where we partner with a charity to put together an auction of donated lots, we hope that we can continue to give back where we can. Your commitment to engaging the local arts community is evident, with talks, workshops, and involvement of children. Why is it essential for you to foster this community engagement, and how do you envision its impact on the future of the arts in Dubai? Education and investment in education is key for the continued evolution of the art scene of any nation, and we believe it is critical to focus our attention on providing the unique insights and content that come from our centuries of expertise. Whether our audience is a child, a seasoned art collector or a young, first-time buyer, our number one priority is to educate (and also to learn!). When we brought the Picasso portrait to Dubai last year it felt like a landmark moment, just watching every person who walked through the door was so rewarding: it really shows you that the thirst is there. From men in their work suits coming in on their lunch break, to gaggles of young children, the awe and wonder was palpable. Bringing my own children to see it was actually one of those lovely career moments for me – I had been talking about it to them for days over the dinner table (they always know first what is coming!), and so it was very fun for them to see it in person. They went back home that evening and did their own little drawings of the painting, which were pretty good! How does your multicultural background influence your approach to curating and connecting with artists from various parts of the world? Much in the same way as Dubai itself, I feel like I am a melting pot of everything from the West and the Middle East. I am half Iraqi, half Iranian, married to a Lebanese man, born and raised in London but French-educated, it is difficult to put a label on it! I have such a strong, natural affinity to the Middle East, and am so proud to be working and living here – and at the same time, I am so keen to showcase international artists, and expose clients to art from all over the world. Given your success in bringing renowned works to Dubai, what is on your wish list for future art collections or exhibitions in the region? I have quite a few ideas that we are working on, but one that I come back to a lot is the concept of a ‘Prints’ online sale here, as prints are just such a great entry point for young collectors, and are a great way to decorate your home (with pieces by some of the best known and best loved artists). A personal favourite of mine is Latin art, as well as African American art, and this is something that hasn’t really been done before – its always nice to add new flavours to the UAE. Last year we had a talk about the late Fernando Botero, with his eldest son, and it really inspired us to think about these themes and explore further, as there was such a huge appetite. Watch this space! Are there specific artists or genres you hope to introduce to the local art scene of Dubai? Over the years, we have had a sort of roll call of the great artists who are international household names, from Old Masters to pioneering Modernists, and so I love the element of surprise of what might emerge next from a great collection, ready to be shown to the world once again. I am keeping my fingers crossed for a Monet and a Magritte. Beyond that on my wishlist are Henry Taylor, Amy Sherald, Lynette, Kehinde Wiley, Kerry James Marshall, Basquiat and Rashid Johnson. – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram Images: Supplied  More

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    Exclusive: In the office with Clemence Cazeau, Director of Arts and Events at 37x Dubai

    Life by Camille Macawili 9 mins ago VIEW GALLERY/ 5 IMAGES 37x Director of Arts and Events, Clemence Cazeau, shares the conception of this hybrid creative space that aims to bridge the gap between art and technology. Tap the gallery above for a tour inside 37x. How long have you been in this space? The gallery officially opened its doors to the public on November 1st, 2023. However, I’ve been in the art world pretty much since I was born. My parents were both in art, and I knew this was what I wanted to do. I’ve been combining my love for art with tech since about 2018. This is when I first started digging deeper into NFTs and the power of blockchain technology. In 2021, we started looking for venues, architects and contractors to build what is now 37xDubai. Have you custom-built any bespoke pieces? We have not built any bespoke pieces for 37x. But we have curated many interesting artists for our current “Radiance” exhibition. Some of the works are from The SHIMURABros, a sister-brother duo from Japan, Justin Weiler, a French artist, and Juno Shen from China, who have all created unique artworks that beautifully reflect the power of light – as well as the combination of art and technology. How do you think the interior reflects you? The design of 37xDubai embodies art, innovation, and creativity. As an initiative by Morningstar Ventures, it has a strong DNA derived from the world of technology. Describe your taste in three words. Beauty, creative, environment-inspired. February’s – The Tech Issue with Christiana Maxion  – Download Now – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram Photography by Mark Mathew More

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    Clemence Cazeau on the ways 37x is bridging the gap between art and technology

    Providing a tech-driven creative space, 37x is a new art concept contributing to redefining the burgeoning digital art scene in UAE.Bridging the gap between digital and contemporary art, the gallery showcases animated and interactive works with innovative technology of sought after names in the field that are influencing a new era of artistic expression.With a passion for the arts, Clemence Cazeau, Director of Arts and Events at 37x, shares her earliest foray into the field and the ways the gallery is aiming to bridge the gap between art and technology.What do the first 30 minutes of your day look like, your morning routine?I start my day by checking my emails and which meetings I have for the day. Then, I do an hour of sport or yoga to start the day with good energy and a strong mindset. Once I reach 37x, I check that the technology in the gallery is up and running. I then meet with my team and go over what needs to be done. We are lucky to have the skills and expertise of the 25 team members of Morningstar Ventures supporting us, however since a large part of the team is located in different countries and time zones, we have to make sure that communication is seamless. Throughout the day, my colleague Sebastien gives tours of the space to visitors, potential collaborators or artists. I also think that personal development is essential and by the end of the day it is important for me to wind down and focus on my personal hobbies.Talk us through your career journey.Coming from a family of art collectors and gallerists, I grew up with the beauty of the art world. After working in several art institutions and graduating from the US, I continued my journey in Dubai. In the past years, I had the chance to grow my network and gather years of experience while working for an auction house and the largest art gallery in the UAE.During the pandemic I created my own, environmentally-friendly fashion brand called Talaiaa, with my sister Elodie, with the goal of creating unique pieces inspired by art, architecture and culture. In 2020, after meeting Danilo S. Carlucci, Founder of Morningstar Ventures, we embarked on the adventure of building 37xDubai – a new concept focusing on bridging art and technology. Today, I use my passion for the art and tech world, team leadership knowledge, and business acumen to manage a space that became more than just a gallery.Was the goal always to start something different in the art and tech space?Yes, without a doubt. Our aim was always focused on showcasing a carefully curated collection of art mixed with digital experiences. 37x Dubai is more than just a gallery, this is why we focus on our web3 membership model, and host events for a wide range of creative events. Especially with Morningstar Ventures’ background we wanted to create the first interactive and immersive art gallery. Furthermore, via educational programmes, activations, private events, and monthly gatherings, 37x Dubai aims to create a global community of digital art and tech enthusiasts. Featured artists will be able to leverage Morningstar Ventures’ and 37x’s network to expand their reach by engaging with other web3 enthusiasts.When did you first conceptualise 37x, and what inspired you to enter the art and tech industry?With a background in the traditional art world, I was very inspired by his idea of creating a new concept that would make an artistic place more interactive and exciting to the public.With this business model, how was this vision received?So far, it has been received positively. We had a successful grand opening with over 300 guests flying in from all over the world as well as experts from different industries. Since the opening in October, we have also been approached by many fashion and luxury brands to host private events in the space. We’ve already hosted a couple of private events, and I must say it’s great to see that industries within and outside of web3 can identify with the gallery’s mission and find something relevant to their brand. We also continue to receive membership applications, which indicates that people are interested in what we are doing and want to join our community.The facilities are simple yet tech-forward. How challenging was it to define what was needed for a superlative fit-out and to execute it?It was, without a doubt, a challenge. With a space like 37x, we rely heavily on technology. For example, when the WiFi is out, your whole gallery doesn’t work, when the power is out, the digital art pieces displayed on the monitors don’t turn. So, when building the space, we focused on quality products that would not only look good but work seamlessly.How is 37x changing the game in terms of art and technology and what have you learned about this world?As a new web3 concept that focuses on merging art and technology, we wanted to ensure that 37x is a place for like-minded people to come together. I think the fact that our members come from so many different industries, such as crypto, web3, art, finance, luxury, and fashion – we have already done a good job of bringing people from both art and technology together. In the future, we also want to focus more on education, specifically around web3 and art. Both industries, though inherently different, can seem a bit daunting to tackle. Often one doesn’t know or struggles to identify where to start when it comes to understanding either web3 or art, we hope to utilise our network to make it a more approachable space.37x adds to Dubai’s growing blockchain and web3 community. Was this the vision from the outset?Yes, it was 37x is backed by Morningstar Ventures, a proprietary investment fund focusing on web3 projects. Because of the expertise of our Founder Danilo, coupled with my expertise in art and the NFT space, we wanted to showcase what capabilities blockchain and web3 have in the wider art world. In the gallery, we have several NFTs that are naturally stored on the Ethereum blockchain and can be purchased with ETH. Furthermore, via various events and brand collaborations with companies from different sectors, we are offering a place where the web3 community can grow.How long did it take to get the business from conception to delivery, and what were your biggest challenges and milestones along the way?From start to finish, I would say almost two years. It’s never easy building a business, that is for sure, but building a physical space and having to think of everything from construction to lighting, to staff, and licenses takes time. So even though the concept was there for a while, the physical execution and opening of the doors to the public took its time and didn’t come without challenges. The main challenge was to develop the initial idea, from its business plan to the architectural drawings, and to communicate with teams speaking different languages.“I’m glad to see that artists have the possibility to track their work and thus be paid the royalties they deserve.”Do you believe AI will be the defining technology of our generation?AI is a very powerful tool and I think that it has a lot of potential to create great things. For example, in the art world, generative art has become all the rage, especially with recent exhibitions in museums such as the MoMA in New York. But like with every new innovation, AI will need to be regulated in order for it to become a tool for the better. If I would have to voice one concern, it’s how we will regulate ownership of the original creator. AI agents have scanned millions and millions of images, texts, and data points, which we are currently free to use. Though this has its benefits, it takes the credit away from the original creators, I think coupled with the power of the blockchain, AI agents can be more regulated in terms of transparency and tracking of where original data is from so that they can be properly credited to the original creator – this will also be instrumental in the art world.This is The Tech Issue – what technology has been a game- changer in your life and how so?Of course, blockchain technology and everything in and around the crypto ecosystem has been a game-changer in my life. It led me to where I am today and was a driving force when creating 37x Dubai. Furthermore, given my background in art, I was also keen to understand how blockchain technology impacted the art world. With the blockchain, I’m glad to see that artists have the possibility to track their work and thus be paid the royalties they deserve. Furthermore, I enjoy and admire every form of art. I’m excited to see how art, technology, and web3 continue to find synergies in the future, as there have already been some great advancements.February’s – The Tech Issue with Christiana Maxion  – Download Now– For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and InstagramImages: Supplied More

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    How I got my job as…Head of Sotheby UAE, the legacy auction house with a rich history

    Welcome to the Emirates Woman weekly series ‘How I got my job as…’ where we speak to some incredible entrepreneurs and businesswomen both based in the UAE and globally to find out about their career paths that led them to where they are now; what their daily routines look like; the advice they’d give to those starting out; and the hurdles they’ve had to overcome.This week, we speak to Katia Nounou Boueiz, the visionary Head of Sotheby’s in the UAE since 2017. With her poignant leadership, she has transformed Dubai into a global hub for unveiling remarkable artworks and groundbreaking news, putting the city firmly on Sotheby’s map of cultural significance.In a detailed chat with Emirates Woman, Katia talks about her journey so far and how she envisions to shape the future of art in a thriving landscape like Dubai.You’ve been at the helm of Sotheby’s in the UAE since 2017, what inspired you to take on this role and contribute to Dubai’s emergence on the global arts scene?Looking back, it all came together almost as if by fate. I actually joined Sotheby’s all the way back in 2008, working in the London office but with a core focus on nurturing the new generation of collectors in the Middle East. When I married my husband in 2015, we decided to move to Dubai, and so I had to of course let management know. I certainly didn’t expect that they would turn around and offer me the chance to open Sotheby’s first office and gallery space in the Middle East (as you can imagine, it was an offer I could hardly refuse!).Shortly after, I found out I was pregnant, and nine months later, I was pregnant once again! Before I knew it, by the time the office had officially launched in 2017, I had two little ones under two, and an entire office to manage and run (my third child in a way!). It was terrifying and exhilarating all at once, and I can’t imagine it any other way.Eight years later – we are not only still here, but our team of three has expanded to eleven of us permanently on the ground in the UAE – so not only did we manage to survive, but we have also gone beyond our initial scope and feel proud to be part of the Emirates’ thriving ecosystem for the arts.Your involvement in bringing major artworks to Dubai, like the recent Picasso that sold for $139 million in New York, has been transformative. How do you approach curating and unveiling such significant pieces in the region?Dubai has long held a reputation for hosting the biggest, the best, the tallest, the most valuable… and so my strategy with which artworks and gems to travel to the doorstep of collector’s here has always partly aligned with that. Put simply, lets being the very best of the best that is on offer at our global auctions, because, why not? Standards and expectations here are high.With UAE as one of the culture capitals of the Middle East, and with the great appetite we have witnessed, it doesn’t take much convincing for the business to send us these incredible highlights. Whenever something major is about to be announced for auction at Sotheby’s, I jump on a call with the head of department or most relevant specialist, and we talk through bringing it to the UAE as part of its global travelling exhibition (or indeed, more and more, as the very first stop on the tour).When we know what it is that is coming, we plan a whole host of programming around it – from collaborations with our wonderful neighbours The Arts Club, to educational talks with our specialists and relevant spokespeople. For the most exceptional lots, we also make sure we work closely with Dubai Culture and DIFC, who have been so supportive in the past.We have been lucky enough to bring the likes of Marie-Antoinette’s pearls, artworks by Botticelli, Rubens, Picasso, Kandinsky, Boetti and Warhol, and important stones from across the rainbow, including the once-in-a-generation Estrela de Fura (a 55.22 carat ruby), the Infinite Blue and Eternal Pink diamonds, and the Enigma (the largest polished black diamond in the world at 555.55 carats).The ‘Made in the Emirates’ exhibition showcased local artists. Can you tell us more about the importance of promoting local talent and how it contributes to the cultural fabric of Dubai?The UAE is home to some amazing artists, designers, architects, jewellers, the list goes on, and we feel very lucky to be part of this ecosystem together. I myself collect works by Emirati artists, including a piece by Mohamed Ahmed Ibrahim that I am particularly fond of.Though Sotheby’s is very much a heritage company whose history goes back to 280 years, we feel very closely connected to the DNA of our particular location. We believe it is super important to promote this cultural scene and celebrate these creatives – offering them a platform (given our reach is so international) and raising awareness – as much as possible wherever we can. As well as our selling, and non-selling exhibitions, the educational side of things is also key, for example our series of public talks with collectors.Very excitingly, and something quite new for us, during Dubai Fashion week in February we have teamed up with the Arab Fashion Council and Mrs. Keepa to be the venue for the much-anticipated launch of the French-Egyptian designer’s latest line. We’ll be styling her avant-garde creations with jewellery and handbags that we are offering for private sales, so it’s all very symbiotic.We always have an exhibition during Art Dubai week too. I can’t say too much, as the details are still under wraps, but we are planning a sort of love letter to Beirut, and Lebanon more generally, as a melting pot for the arts – having been the home of, but also inspired, so many of the major artists from our region.I would love to shout out a few other homegrown talents as well: Engage101, who are a platform that study, support and exhibit young emerging Gulf artists, and Bayt AlMamzar, a great community space for artists.Beyond traditional auctions, you’ve organized charitable collaborations, including a post-explosion charity auction for Beirut. How do you see the role of the arts in contributing to charitable causes, especially during challenging times like the ones we are in?Charity auctions have always been important to Sotheby’s, as part of our ongoing dedication to giving back and our commitment to making our industries more accessible, sustainable and collaborative. Globally just this past year, we played a role in raising over $200 million for various non-profit organizations, with more than $58 million directed towards museums. From providing one of our fabulous auctioneers (whose skills on the rostrum are fully unleashed when raising bids for charity), to more full blown initiatives where we partner with a charity to put together an auction of donated lots, we hope that we can continue to give back where we can.Your commitment to engaging the local arts community is evident, with talks, workshops, and involvement of children. Why is it essential for you to foster this community engagement, and how do you envision its impact on the future of the arts in Dubai?Education and investment in education is key for the continued evolution of the art scene of any nation, and we believe it is critical to focus our attention on providing the unique insights and content that come from our centuries of expertise. Whether our audience is a child, a seasoned art collector or a young, first-time buyer, our number one priority is to educate (and also to learn!).When we brought the Picasso portrait to Dubai last year it felt like a landmark moment, just watching every person who walked through the door was so rewarding: it really shows you that the thirst is there. From men in their work suits coming in on their lunch break, to gaggles of young children, the awe and wonder was palpable. Bringing my own children to see it was actually one of those lovely career moments for me – I had been talking about it to them for days over the dinner table (they always know first what is coming!), and so it was very fun for them to see it in person. They went back home that evening and did their own little drawings of the painting, which were pretty good!How does your multicultural background influence your approach to curating and connecting with artists from various parts of the world?Much in the same way as Dubai itself, I feel like I am a melting pot of everything from the West and the Middle East. I am half Iraqi, half Iranian, married to a Lebanese man, born and raised in London but French-educated, it is difficult to put a label on it! I have such a strong, natural affinity to the Middle East, and am so proud to be working and living here – and at the same time, I am so keen to showcase international artists, and expose clients to art from all over the world.Given your success in bringing renowned works to Dubai, what is on your wish list for future art collections or exhibitions in the region?I have quite a few ideas that we are working on, but one that I come back to a lot is the concept of a ‘Prints’ online sale here, as prints are just such a great entry point for young collectors, and are a great way to decorate your home (with pieces by some of the best known and best loved artists).A personal favourite of mine is Latin art, as well as African American art, and this is something that hasn’t really been done before – its always nice to add new flavours to the UAE. Last year we had a talk about the late Fernando Botero, with his eldest son, and it really inspired us to think about these themes and explore further, as there was such a huge appetite. Watch this space!Are there specific artists or genres you hope to introduce to the local art scene of Dubai?Over the years, we have had a sort of roll call of the great artists who are international household names, from Old Masters to pioneering Modernists, and so I love the element of surprise of what might emerge next from a great collection, ready to be shown to the world once again. I am keeping my fingers crossed for a Monet and a Magritte. Beyond that on my wishlist are Henry Taylor, Amy Sherald, Lynette, Kehinde Wiley, Kerry James Marshall, Basquiat and Rashid Johnson.– For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and InstagramImages: Supplied  More

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    How I got my job as… Arts & Events Manager at Dubai’s ICD Brookfield Place

    Life

    by Sarah Joseph
    2 hours ago

    Welcome to the Emirates Woman weekly series ‘How I got my job as…’ where we speak to some incredible entrepreneurs and businesswomen both based in the UAE and globally to find out about their career paths that led them to where they are now; what their daily routines look like; the advice they’d give to those starting out; and the hurdles they’ve had to overcome.
    This week we chat with Malak Abu-Qaoud, Arts & Events Manager at ICD Brookfield Place in DIFC. Malak’s fresh and innovative perspective has allowed her to curate exhibitions featuring renowned artists, transforming ICD Brookfield Place into a platform that captivates audiences and pushes boundaries.
    By transcending into the innovation, ICD Brookfield worked with Prada, in collaboration with renowned English artist Damien Hirst. Malak presented Prada’s eighth iteration of Prada Mode, a travelling social club that provides members with a unique art experience, combined with music, dining, and conversation.
    Known for her keen eye and constant innovation in the space, Emirates Woman spoke to her to see her journey as an events curator and how it has evolved with time.
    What was your favourite subject at school?
    Art was my favorite followed by theater and English literature.
    What was your first job?
    When I was 9, I was hired by a tech-education platform that taught children school subjects in an interative manner using cartoon characters. I used to narrate some of these characters and at one point I had the opportunity to present the company to Bill Gates. In college, I took on part-time jobs in retail. This helped me build my communication skills and understand how to interact with people from different walks of life.

    What brought you to Dubai?
    My sister moved here a few years before I did, after visiting her I made the decision to move a few months later to be closer to my family. I was living in Montreal prior to Dubai, so I didn’t get to see them as often as I do now.
    What inspired you to enter the arts space and talk us through your role as Arts & Events Manager for ICD Brookfield Place?
    Growing up, I was always inspired by my sisters. They studied Fine Art, and I knew I wanted to end up in the creative field as well. I started my career as an intern at an art consulting and production agency in Montreal where I was eventually hired full-time; during my time there I learned how to work closely with artists, produce exhibitions and create a community. When I moved to Dubai and joined ICD Brookfield Place, I applied a lot of what I learned over the years to my role here. I now run the Arts & Events in the building where my team and I curated public exhibitions and program the cultural placemaking initiatives within ICD Brookfield Place.
    Talk us through some of the exhibitions that take place at ICD Brookfield Place?
    Over the past 3 years, we’ve hosted some fantastic shows at ICD Brookfield place. Each exhibition is different, but overall, we try to shift our focus on regional talent and exhibit shows that are accessible to the public and reflect culturally significant events. Some of our highlights include our partnership with Perrotin Gallery, which showcased the iconic Takashi Murakami for the first time in the UAE. Another is the visionary exhibition entitled: Do Arabs Dream of Electric Sheep? Curated by Adam Haj Yahia who explored alternative narratives of understanding the Arab world. Lastly, Tasmeem, it is our annual community-driven graphic design poster show that focuses on young and creative talent across the region.
    What are the key elements of your role?
    I find that key elements of my role are creating partnerships with galleries and working closely with artists and creatives. This helps foster our existing community while allowing it to grow further. With each show at ICD Brookfield Place, we hope to give artists a platform to showcase and express their work while cultivating a community of creatives across the region.
    Talk us through your daily routine.
    I start each morning with a workout session at 1Rebel, our wellness gym, or at Reform Athletica for Pilates. This is followed by a coffee catch-up with my colleague Yasmine. We run through our upcoming events and brainstorm new ideas. My days are usually packed with back-to-back meetings but sometimes I get some time away from the office to run around the city visiting artists, galleries and creatives.
    What advice do you have for anyone looking to follow in the same footsteps?
    Try different things to find what drives you, work hard, and keep learning. Every experience has always led me to new opportunities one way or another, you just have to keep an open mindset and be patient. Don’t ever take no for an answer!

    What is the best piece of advice you have ever received?
    That you don’t need to be the best at everything. Hone in on your skills and excel in what you’re great at, the best work is always a tribute to good teamwork.
    And what is the worst?
    “Fake it till you make it” I think the intention suggests that by imitating confidence and an optimistic mindset you eventually become those things. However, in my opinion, you need to work hard, keep learning, make mistakes, and slowly you will figure things out. Through these experiences you will find confidence in yourself and in the work you do.
    What’s the biggest challenge you have had to overcome?
    With joining ICD Brookfield Place, my main objective was to create a cultural program for Public Art and Placemaking. The image of the building being a corporate space made it difficult to produce a program that artists felt comfortable being a part of. With time, the industry began to trust me. The success of the program helped build confidence in my abilities as a curator and within myself. Over time, as an Arts and Events team, we have created exciting work that has pushed the boundaries of a corporate setting by encouraging dialogue about real-world issues. Over the past 3 years, we’ve built an engaging and growing community that attends our shows, talks, and events. We’ve become known in the community as a host of an incredible lineup of unprecedented events that really shake the city.

    What’s planned for the future of the space?
    There’s a lot planned for the upcoming season. An artist residency and exhibition in partnership with Tabari Artspace showcasing three talented emerging artists, Talal and Ziad AlNajjar and Miramar Muhd which is on display until October 20th 2023. Followed by two large site-specific artworks in November by Kuwaiti visual artist Monira AlQaderi which focuses on sustainability and the environment.
    – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram
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